https://japanesewoodblockedition.com Tue, 06 Oct 2026 18:10:46 +0000 en-US hourly 1 https://wordpress.org/?v=4.1.1 https://japanesewoodblockedition.com/2026/10/vintage-japanese-woodblock-print-utagawa-toyoharu-sanjusangendo-kyoto-recutblock/ https://japanesewoodblockedition.com/2026/10/vintage-japanese-woodblock-print-utagawa-toyoharu-sanjusangendo-kyoto-recutblock/#comments Tue, 06 Oct 2026 18:10:46 +0000 https://japanesewoodblockedition.com/2026/10/vintage-japanese-woodblock-print-utagawa-toyoharu-sanjusangendo-kyoto-recutblock/ […]]]>



















Vintage Japanese Woodblock Print Utagawa Toyoharu Sanjusangendo Kyoto Recut Block. Kyoto Sanjusangendo no Zu. (View of Sanjusangendo in Kyoto). Woodblock Print (Uki-e Perspective Print). Toshiya Archery Competition at Sanjusangendo Temple. Vintage Reproduction / Recut Woodblock Edition. Mid-20th Century (Showa Period). Nishimuraya Yohachi (Eijudo mark replica). 14 1/2″ x 9 1/4″. 21 1/4″ x 16 3/4″. Good vintage condition; frame backing shows significant wear (see text). ? Detailed Item Description. About the Artwork: This exceptional woodblock print showcases the famous Toshiya (archery competition) at the historical Sanjusangendo Temple in Kyoto. The composition is a premier example of. (floating perspective pictures), utilizing strict linear perspective to capture the staggering length of the temple’s veranda. On the right, an archer kneels, aiming a longbow down the corridor toward a distant target. The center foreground features a covered judge’s booth with officials keeping score, while the left side depicts a lively promenade bustling with Edo-period pedestrians, onlookers, and travelers. (Note on Location: While often confused with the replica Fukagawa temple built in Edo, the explicit kanji on the margin of this print reads “, ” firmly establishing the setting as the original National Treasure temple in Kyoto). Production & Age Analysis: This piece is a mid-20th-century vintage edition printed from expertly recut woodblocks, replicating Toyoharu’s iconic late-18th-century masterpiece. Close-up inspection shows exceptionally crisp, sharp keylines and precise color registration, free from the block-wear or dye degradation seen in 250-year-old originals. This is an authentic, handmade woodblock print. Microscopic evaluation confirms there are zero digital artifacts, dot-matrix patterns, or offset lithographic halftones. It was printed using traditional hand-inked blocks pressed onto paper. The Print: In good vintage condition with strong ink work. Displays uniform, gentle fading consistent with a mid-century display piece. The Front Frame: Housed behind glass in a wooden frame with double matting. The presentation is clean and ready to hang. The Reverse Backing: The original brown paper backing on the reverse side shows severe age-related wear, tearing, and chipping around the edges (please see photos). The frame structure and hanging wire remain completely sound.

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Woodblock Print Shini-e 5-787 Ichikawa Danjuro? 1854. Ichikawa Danjuro? Jiraiya no Henshin. C m [Length×side] [1 inch = 2.54 cm]. Please judge the state to look at the pictures. A:Excellent B:Fine C:Good D:Poor. A thing with old goods of our shop takes the lead. Since it is not a new article, the stock of goods will be only one point in principle. The goods published in the picture arrive at hand. Depending on goods, there is a damage for old goods. Please refer to the description-of-item columns, such as a hole vacancy, dirt, a tear. And the remains of a stain, and picture by a worm-eaten spot. Yagiya BOBONGUA STORE is on-line antiquarian book store in Tokyo Japan. And Japan focusing on Japanese traditional cultures. Track Page Views With.

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Antique Original Japanese Woodblock Print by Kunisada -Samurai Kabuki Scene- Framed c. Presented is a beautiful Japanese full oban-size original woodblock print created by the renowned artist of the late Edo period, Utagawa Kunisada (1786 – 1864), also known as Kunisada I and Toyokuni III. The print presented shows a man with a sword, apparently of a samurai rank. He is engaged in a dispute with someone using his body position to defend something – probably to secure a pile of parcels behind him. Most likely, it is a scene from a Kabuki play, but I was unable to determine the exact name and the plot of the play. In many cases, pictures of scenes from theater plays show us a lot of different and interesting things about the culture of Edo-period Japan. The way people behaved, the way they dress, and the environment, both inside and outside their homes. Especially when the images are created by the most skilled and talented artists like Kunisada. Utagawa Kunisada was a prolific woodblock print artist mostly known for his pictures of beautiful women (bijinga) and kabuki actors’ prints (yakusha-e). Kunisada’s pictures reflect the culture of Japan in the years leading up to the country’s opening to the West. His first book illustrations were published in 1807 and his first actor portrait the following year. Alongside theatrical scenes and courtesans, yakusha-e was his preferred genre amidst all his popular and extensive output. As he painted a large number of these, continuing the stout realism of his teacher, he acquired the nickname’Yakusha-e no Kunisada’ – Kunisada, the actor painter. In his numerous bijinga, he clung to the ideal of beauty prevalent at the time. Most of the women portrayed were courtesans from Yoshiwara, the regulated red-light district of the city. Many museums in the world have Kunisada works: British Museum Metropolitan Museum of Art in NY Museum of Fine Arts in Boston Tokyo National Museum Museum of Fine Arts in Houston Honolulu Museum of Art and many others The print was made using the Japanese woodblock technique during Kunisada’s lifetime. Signed with artist’s signature “Toyokuni ga”, in. Cartouche and sealed with censor and publisher’s seals. The print is framed in a good quality modern wooden frame. AUTHOR: Utagawa Kunisada I (Toyokuni III) TITLE: Samurai – Scene from a Kabuki Play (Descriptive title) CREATED: c. Paper METHOD OF PRINTING: Woodblock printing PRINTED: Lifetime printing circa early 1860s PRINT SIZE (sight): Full oban size 14″ X 9.5″ FRAME SIZE: 20.5″ X 15.75″. The condition is very good. Good detail and colors with some minor fading. A wormhole in the upper right. The frame shows some very minimal wear. The print was not examined outside of frame. Get images that make Supersized seem small. Track Page Views With.

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Beautiful framed Japanese ukiyo-e style print depicting a woman in traditional kimono holding a red round fan in a landscaped garden. The image also contains Japanese inscriptions/date markings that appear to reference the Meiji era. Important: I have not removed the artwork from the frame or independently authenticated the paper, printing method, publisher, or age. Overall framed size: approximately 20″ × 15″. Frame has normal age/storage wear. Please examine all photographs carefully for condition and details.

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Bookstore situated in Tokyo, Japan. Feel free to have a look at our store! Please note that set no. 2 (2 sheets) are missing. The full set originally has 30 sheets. This listing contain x28 prints. This is a reprint, not an original work. Please kindly note that it is a modern reproduction made using traditional Japanese woodblock printing techniques. We are clearly stating in the product description that this is a reprint. We will be unable to respond to complaints based on the assumption that it was an original work. Thank you in advance for your understanding. For items condition please see photos and comment. Please understand that we occurred a simple check so there might be little oversight. We try to photograph and describe the condition as accurately as possible. Although, the condition of the item may be felt worse than our description due to individual subjectivity. Displayed price is applicable for any number of prints on our store. And it may take longer than the number of days written above. We do not mark merchandise values below value or mark items as gifts. Japan, US and International government regulations prohibit such behavior.

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Thank you for your understanding. For details on U. Toru Shimizu Woodblock Print “Rakuhoku Manshu-in Temple” w/ Autograph & Frame JP. Size(approximately): Print: 16.8 cm x 13.8 cm Frame: 39 cm x 28 cm. Condition: Shows some signs of scratches and dirt. There is some wear and tear due to its age. Please check the pictures carefully. Please be aware that this is a vintage item. If you like it we would be happy to take your order. “Rakuhoku Manshu-in” by Enryu Shimizu. Woodblock print, AP (Artist’s Proof) edition, hand-signed. Print size: 16.8 cm x 13.8 cm. Frame size: 39 cm x 28 cm.

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Vintage Japanese Woodblock Floral Print, Signed & Dated 1955, Framed.

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This is a nice vintage antique Japanese Konobu Hasegawa woodblock print title, Children Playing on New Year’s Day. The intricate details and vibrant colors make this a beautiful addition to any collection. The provenance of this print is not available, but it is certain to be a unique and valuable piece for any collector of Japanese culture. Made in Japan, this print showcases the traditional Japanese culture and is perfect for those who appreciate the beauty of Asian art. This piece is a must-have for anyone who loves to collect memorabilia from different cultures and ethnicities. Add it to your collection today! In decent condition as the pics show with some foxing / wear to the print and it comes exactly as shown. The frame measures 21″ x 15″ and the sight is 14 3/4″ x 19 3/4″.

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About the “Setsugekka (Snow, Moon, and Flowers)” Series by Yoshu Chikanobu. This work belongs to Chikanobu’s celebrated Setsugekka series c. Unlike simple decorative prints, this series combines classical Japanese aesthetics with historical and literary narratives. Each design represents the poetic themes of snow (winter), moon (autumn), and flowers (spring)-a traditional symbol of seasonal beauty in Japanese culture. Chikanobu goes further by depicting famous women, legendary figures, and scenes from history and literature, making each print both visually elegant and culturally meaningful. The series is highly regarded for. Rich storytelling rooted in Japanese history and legend. Elegant and refined bijin-ga compositions. A unique blend of Edo tradition and Meiji-era sensibility. Large, coordinated series format appealing to collectors. Because of its scale and artistic ambition, Setsugekka is considered a key series marking Chikanobu’s artistic maturity and peak period. Artist: Yoshu (Toyohara) Chikanobu. Series: Setsugekka (Snow, Moon, and Flowers). Period: Meiji Era c. The print is in excellent condition for its age. This is an authentic antique woodblock print, not a modern reproduction. Feel free to contact me if you have any questions.

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Toyohara Kunichika Japanese Woodblock Print Kabuki Beauty c. The print shows a beautifully dressed woman in a rich purple kimono with floral patterns against a vivid red background. The artist’s signature cartouche appears along the right edge. This is an original period impression, not a modern reproduction. The print is lightly hinged into a neutral mat; total size including mat is approximately 15″ x 20″. Image area is about 9 1/2″ x 14″. Condition: Colors are strong and vibrant with good registration. Possible light trimming to the outer margins; no major tears, holes or repairs visible when viewed matted. Please review all photos carefully as they are part of the description. This came from a Pittsburgh gallery collection that labeled it Antique Japanese original woodblock print by Kuni-chika, circa 1878. A fine example of Kunichika’s late Edo/early Meiji kabuki work and a great addition to any Japanese woodblock or Asian art collection.

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