https://japanesewoodblockedition.com Sat, 07 Nov 2026 16:46:44 +0000 en-US hourly 1 https://wordpress.org/?v=4.1.1 https://japanesewoodblockedition.com/2026/10/utagawa-hiroshige-uchida-art-print-cherry-blossoms-matted-framed-24-x-18/ https://japanesewoodblockedition.com/2026/10/utagawa-hiroshige-uchida-art-print-cherry-blossoms-matted-framed-24-x-18/#comments Tue, 20 Oct 2026 18:53:44 +0000 https://japanesewoodblockedition.com/2026/10/utagawa-hiroshige-uchida-art-print-cherry-blossoms-matted-framed-24-x-18/ […]]]>














This listing is for a framed and matted vintage Uchida Art Company Ltd. Print titled “Cherry Blossoms in Full Bloom at Arashiyama ” in the style of Utagawa Hiroshige. Cherry Blossoms in Full Bloom at Arashiyama. Series: Ten Famous Views of Kyoto Publisher/printer: Uchida Art Company Ltd. The paper print size is 15″ x 10″. The matting is 20″ x 14.75″ The black wood frame is 24″ x 18.5″. Type: Uchida ukiyo-e reprint (Uchida print reproduction). The weight of the frame, glass, mat, and print is is 6 pounds and 3 ounces. This listing includes the vintage reproduction print, the wood frame, and the matting with glass front. Additional detailed photos are available upon request. Please visit our store at Hidden Meadows Emporium for books, prints, collectibles, lithographs, serigraphs, sculptures, paintings and fine works of art.

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This artwork is an original Japanese woodblock triptych print titled. True View of Cherry Blossoms in Full Bloom at Kiyomizu Hall in Ueno Park, Tokyo. Triptych (composed of three separate vertical panels designed to be viewed side-by-side). The print depicts Empress Meiji alongside her ladies-in-waiting and high-ranking court officials viewing blooming cherry trees next to the Kiyomizu-do (Kiyomizu Hall) temple complex in Ueno Park. (modernization/enlightenment) genre of the Meiji period. It highlights the juxtaposition of traditional attire alongside Western top hats, military uniforms, and umbrellas imported during Japan’s rapid modernization. The deep, intense pigments used-particularly the pinks and purples-were achieved using synthetic aniline chemical dyes newly imported from Germany. Based on the back side of your triptych, this piece provides valuable information regarding its physical condition, production process, and history. Key Observations from the Back Side. The panels have been. Re-backed with scrap paper and old manuscript pages. Containing cursive Japanese calligraphy. This was a common historical practice used to reinforce thin, fragile. Paper or to patch up tears and wormholes. You can clearly see the vibrant aniline reds, purples, and blues bleeding through the paper. This high degree of bleedthrough is a primary indicator of a. As the pressure of the bamboo rub-pad. Forces the wet ink deep into the fibers of the paper. Modern machine reproductions or lithographs typically do not show this kind of rich, reverse-image bleedthrough. There are visible vertical seams, overlapping patches, and minor edge fraying where the panels were previously joined or repaired. While backing paper successfully preserves the structural integrity of a print, it can sometimes obscure the original translucent quality of the. Paper and cover up publishers’ marks or dates hidden on the reverse. In the antique print market, historical backing is generally accepted, though a print that is completely unbacked and in pristine condition typically commands a premium. Otherwise, the product is non refundable. That’s why I ask potential buyers for a discussion about the condition and quality of the product. Warehouse of Treasure #3-17-7.

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Authentic Japanese Woodblock Print by Teruhide Kato. Title: #1 Sakura no Fu (Musical Score of Cherry Blossoms). Type: Traditional Woodblock Print (Mokuhanga). Edition: This is a high-quality modern restrike printed from the original woodblocks. Paper: Authentic Echizen Washi Paper. Dimensions (US Size / Metric). 16.1″ x 7.9″ (41.0 x 20.0 cm). Total Size: Perfect for standard framing or as a centerpiece for Japanese-style d. Appearance of the item. Some deterioration over time as photos. Please check on the photos for detailed condition of the product. We offer 100% authentic Japanese products sourced directly from authorized Japanese retailers. Please review the photos carefully. If you have any question or concern, please do not hesitate to contact me. Thank you for visiting. Please Note for Buyers Outside the U. Generally, those additional costs will be charged by the carrier when you receive the item.

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Size: 10.5x9cm (image size) / 27x22cm (frame size). Number of prints: 1. Notes: Later printing (first printed in 1945). If you are aware of any vendors offering a more competitive pricing than ours, kindly bring it to our attention. We are committed to providing you with the best possible price and will adjust our rates accordingly to ensure your satisfaction. Upon receiving your order, we take the utmost care in inspecting your valuable items at our facility to ensure they meet our high standards of quality. Upon receiving your order, we will conduct a thorough inspection of the item to ensure it meets our high-quality standards. We are here to assist you and address any concerns you might have.

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I do not know if an original or reproduction.

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Bookstore situated in Tokyo, Japan. Feel free to have a look at our store! For items condition please see photos and comment. Please understand that we occurred a simple check so there might be little oversight. We try to photograph and describe the condition as accurately as possible. Although, the condition of the item may be felt worse than our description due to individual subjectivity. Displayed price is applicable for any number of prints on our store. And it may take longer than the number of days written above. We do not mark merchandise values below value or mark items as gifts. Japan, US and International government regulations prohibit such behavior.

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This is an original woodblock, print in the Mitsugiri style, from the Shin Hanga Movement by the Japanese artist Takahashi Shotei (1872 – 1945). Shin hanga movement was to revitalize the Ukiyo-e. It is titled Cherry Blossoms at Sumida Bank in Rain. This print is pre war and most likely dates to the 1920s. It was framed in Cambridge, MA by J. Olsson and art dealer active in the 1920’s and 30’s. It features two women enjoying the view of the cherry blossoms by the river while waiting out a rain shower under the thatched roof of a tea stall. On the water are several boats plying the smooth blue surface. The cherry blossoms are in full bloom as the rain comes down in diagonal streaks. The perspective is interesting, as it appears we are viewing from the side two people who are also enjoying the view. The frame measures 15 3/8 L x 7 W x 1/2 D inchs the frame border is 3/8 of an inch all the way around the print. Has a few small dings on the frame. Pictures are provided as part of the description, it is AS PICTURED. More pictures provided upon request.

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This is 10.5″X15.5″. There is a small rip on the right side of the margin. It does not affect the display. This is from a smoke free pet friendly environment.

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Antique Original Japanese Woodblock Print by Utagawa Toyokuni I – Viewing Blossoms c. Presented is a beautiful Japanese full oban-size original woodblock print created by the renowned artist of the Edo period, Utagawa Toyokuni (1769 – 1825), also known as Toyokuni I. He was also teaching the art of printmaking. Among his pupils were such famous artists as Kunisada I and Kuniyoshi, who adopted his art name in the traditional Japanese manner – taking a part of the name of their teacher. Toyokuni I was known mostly for his prints related to the kabuki theatre, in particular his yakusha-e actor portraits, a field which he took to new heights. He also, however, produced other genres such as musha-e warrior prints, shunga erotica, and most notably bijin-ga. This print depicts a beautiful woman in a red furisode (a long-sleeved kimono for unmarried women). She walks among plum blossoms. The print is titled “Sangatsu hanami no zu, ” Viewing Blossoms in the Third Month. This is the third print in the series of twelve representing twelve months of the year. The print is framed in a wooden frame. Many museums in the world have Toyokuni I works: British Museum Metropolitan Museum of Art in NY Museum of Fine Arts in Boston Tokyo National Museum Museum of Fine Arts in Houston Honolulu Museum of Art and many others The print was made using the Japanese woodblock technique during Kunisada’s lifetime. Signed with artist’s signature “Toyokuni ga” and sealed with censor and publisher’s seals. AUTHOR: Utagawa Toyokuni I PUBLISHER: Nishimuraya Yohachi (Eijudo) TITLE: Viewing Blossoms in the Third Month. ” (Sangatsu hanami no zu) SERIES: “The series of twelve (months) (Junimai tsuzuki) CREATED: c. Paper METHOD OF PRINTING: Woodblock printing PRINTED: Lifetime printing circa early 1810s FRAME SIZE: 17″ X 13″ PRINT SIZE: 13.5″ X 9.5″. The condition is very good. Good detail and colors, some minor toning of the paper. It is framed in a nice wooden frame that shows some wear. Please contact me if you want to arrange the sale without a frame. Get Supersized Images & Free Image Hosting. Attention Sellers – Get Templates Image Hosting, Scheduling at Auctiva. Track Page Views With.

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Bookstore situated in Tokyo, Japan. Feel free to have a look at our store! Comment:Against the backdrop of famous places symbolizing Tokyo at the time, the paintings depict women who epitomized the beauty of a new era, such as geisha and courtesans who were popular in each area. Each painting is accompanied by seasonal flowers related to that month, allowing the viewer to feel the changing of the seasons through the painting. March: Cherry Blossom in. Depicts the row of cherry trees in Nakano-cho, the busiest area of the Yoshiwara pleasure district. And beautifully captures the atmosphere of the time along with the splendor of spring. For items condition please see photos and comment. Please understand that we occurred a simple check so there might be little oversight. We try to photograph and describe the condition as accurately as possible. Although, the condition of the item may be felt worse than our description due to individual subjectivity. Displayed price is applicable for any number of prints on our store. And it may take longer than the number of days written above. We do not mark merchandise values below value or mark items as gifts. Japan, US and International government regulations prohibit such behavior.

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