https://japanesewoodblockedition.com Sat, 31 Oct 2026 07:18:28 +0000 en-US hourly 1 https://wordpress.org/?v=4.1.1 https://japanesewoodblockedition.com/2026/10/toyohara-kunichika-woodblock-print-36-beauties-kaga-no-chiyo-meiji-1876/ https://japanesewoodblockedition.com/2026/10/toyohara-kunichika-woodblock-print-36-beauties-kaga-no-chiyo-meiji-1876/#comments Thu, 22 Oct 2026 10:58:39 +0000 https://japanesewoodblockedition.com/2026/10/toyohara-kunichika-woodblock-print-36-beauties-kaga-no-chiyo-meiji-1876/ […]]]>


Premium Quality from Japan. Authentic. Inspected. Guaranteed. Toyohara Kunichika Woodblock Print 36 Virtuous and Evil Beauties Kaga no Chiyo Meiji Period Japanese Art 1876 Original Ukiyo-e Nishiki-e. The piece belongs to the famous series’Thirty-six Virtuous and Evil Beauties’ (Zen’aku Sanjuroku Bijin), which highlights prominent female figures from Japanese history and legend. This specific print depicts Kaga no Chiyo, the celebrated 18th-century haiku poet known for her profound verses and devotion to the arts. Dated to Meiji 9 (1876), this nishiki-e (multi-colored print) displays the characteristic bold palette and expressive lines of Kunichika’s Meiji-era work. The print measures approximately 35 x 24 cm (standard Oban size). It serves as a beautiful example of late ukiyo-e style, capturing the grace and character of one of Japan’s most famous literary women. Regarding the condition, the print shows overall tanning and some age-related toning consistent with its 19th-century origin, but it remains in generally good condition for display or collecting. The woodblock impressions are clear, retaining the intricate details of the hair and kimono patterns. This is a significant addition for collectors of Kunichika or Meiji-period Japanese art. Size: 35 x 24 cm. Year of Production: Meiji period. Condition: Please refer to the photos for the condition and details. We are committed to providing you with the most competitive pricing available in the market. If you discover a better price elsewhere, please inform us. We will gladly match or beat any legitimate competitor’s pricing to ensure your complete satisfaction. For United States Buyers. Special Benefit for US Customers. Our experienced team examines each product to ensure it meets our rigorous standards of excellence. We stand behind every product we sell and will work diligently to resolve any concerns. We are here to accommodate your needs and will work with you to find a satisfactory solution. Important Notice for Buyers Outside the United States. We’re Here to Help! We typically respond within 24 hours.

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KAGA Province Utagawa Hiroshige Japanese Woodblock Framed Art Print 18×15. PROVINCE DE KAGA LES HUIT MERVEILLES DE KANAZAWA, LES FEUX DE PECHEURS SUR LE LAC RENKO (Kaga Province: The Fishing Fires on Lake Renko). It is a very beautiful re-print of the original. This is one in a series of 69 prints. As of this listing, I have 35 of them, all professionally framed in a brushed silver toned frame and matted in black They all came from the same Estate in Louisville, KY. All are in excellent condition and any one or all of them would add greatly to your Asian art collection. The last 5 pictures are from one of these that had a damaged back. I deconstructed it so you could see all the layers and materials involved. The image is a woodblock print titled “Kaga Province: The Fishing Fires on Lake Renko, ” created by Utagawa Hiroshige as part of his series “Famous Views of the Sixty-odd Provinces”. It depicts a nighttime scene on Lake Renko in Kaga Province (present-day Ishikawa Prefecture), showcasing the traditional fishing method of using fire to attract fish. Series: “Famous Views of the Sixty-odd Provinces” (Rokujuyoshu Meisho Zue). Date: Published between 1853 and 1856. Technique: Woodblock print (ukiyo-e). Subject: Nighttime fishing on Lake Renko, one of the Eight Wonders of Kanazawa in Kaga Province. Significance: Captures a moment in Japan’s history before industrialization and Western influence, showcasing the beauty of the Japanese countryside and daily life during the Edo period. Composition: Features a high vantage point, a sweeping panorama, and skillful bokashi shading to create depth and distance. Born in Edo as Tokutaro Ando, Hiroshige Utagawa grew up in a minor samurai family. His father belonged to the firefighting force assigned to Edo Castle. It is here that Hiroshige was given his first exposure to art: legend has it that a fellow fireman tutored him in the Kano school of painting, though Hiroshige’s first official teacher was Rinsai. Though Hiroshige tried to join Toyokuni Utagawa’s studio, he was turned away. In 1811, young Hiroshige entered an apprenticeship with the celebrated Toyohiro Utagawa. After only a year, he was bestowed with the artist name Hiroshige. He soon gave up his role in the fire department to focus entirely on painting and print design. During this time he studied painting, intrigued by the Shijo school. Hiroshige’s artistic genius went largely unnoticed until 1832. With the Tokugawa Shogunate relaxing centuries of age-old restrictions on travel, urban populations embraced travel art and Hiroshige Utagawa became one of the most prominent and successful ukiyo-e artists. He also produced kacho-e (bird-and-flower pictures) to enormous success. In 1858, at the age of 61, he passed away as a result of the Edo cholera epidemic. Hiroshige Utagawa’s woodblock prints continue to convey the beauty of Japan and provide insight into the everyday life of its citizens during the Edo period. The appeal of his tender, lyrical landscapes was not restricted to the Japanese audience. Hiroshige’s work had a profound influence on the Impressionists and Post-Impressionists of Europe: Toulouse-Lautrec was fascinated with Hiroshige’s daring diagonal compositions and inventive use of perspective, while Van Gogh literally copied two of Hiroshige’s prints from the famous series, 100 Famous Views of Edo in oil paint. Hiroshige (1797 – 1858). Mimasaka Province, Yamabushi Valley. Series: Famous Places in the 60-odd Provinces. Size (H x W): 14.5 x 10.75 (inches). Publisher: Koshimuraya Heisuke (Koshihei). Seals: Date and Aratame. Condition: Very good color and impression, light soiling and wear, embellished with mica.

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