https://japanesewoodblockedition.com Fri, 26 Jun 2026 20:02:50 +0000 en-US hourly 1 https://wordpress.org/?v=4.1.1 https://japanesewoodblockedition.com/2026/06/art-japanese-woodblock-framed-print-depicting-utagawa-kuniyoshi-battle-hokusai/ https://japanesewoodblockedition.com/2026/06/art-japanese-woodblock-framed-print-depicting-utagawa-kuniyoshi-battle-hokusai/#comments Fri, 12 Jun 2026 22:23:43 +0000 https://japanesewoodblockedition.com/2026/06/art-japanese-woodblock-framed-print-depicting-utagawa-kuniyoshi-battle-hokusai/







This is a framed print of a Japanese woodblock, using ukiyo-e style, depicting Utagawa Kuniyoshi’sb. The Battle of Dan-no-ura: Shinchunagon Taira Tomomori. Also in the style of Hokusai.

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This image is identifiable as a single sheet from “Yamashiro no kuni Ide no Tamagawa” / “The Ide Jewel River in Yamashiro Province, ” from an untitled triptych series of the Six Jewel Rivers. The design is a wonderful example of Kuniyoshi’s bijin and landscape work, combining a graceful female figure, flowering branches, patterned kimono, flowing blue water, and fine Edo-period textile detail. Kuniyoshi is one of the major ukiyo-e printmakers of the 19th century, best known for warrior prints, actor subjects, beautiful women, landscapes, humor, and highly inventive compositions. Here, the appeal is quieter and more lyrical: the woman’s pose, the blossoms, and the moving water create a refined seasonal scene with strong decorative presence. This is one sheet from the original triptych composition, not the complete three-sheet triptych. Presented in a black metal frame with matting. Measurements: Frame: 13.5″ x 18.25″ x 1.0″ Image: 9.0″ x 13.0.

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Utagawa Kuniyoshi (1797- 1861). MAT SIZE : 20″ H 15″ W. IMAGE SIZE:14″ H 9 1/2″ W. Great art work, strong color and impression. Print is attached on the board. Otherwise overall very good impression. Please refer to all the pictures. Don’t miss out on this opportunity! PLEASE DON’T FORGET TO LEAVE FEEDBACK.

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Bookstore situated in Tokyo, Japan. Feel free to have a look at our store! For items condition please see photos and comment. Please understand that we occurred a simple check so there might be little oversight. We try to photograph and describe the condition as accurately as possible. Although, the condition of the item may be felt worse than our description due to individual subjectivity. Displayed price is applicable for any number of prints on our store. And it may take longer than the number of days written above. We do not mark merchandise values below value or mark items as gifts. Japan, US and International government regulations prohibit such behavior.

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Utagawa Kuniyoshi Original Japanese Woodblock Print Edo Period Samurai Scene. Group of Courtiers and Attendants (Samurai Theater Scene). Depicts a theatrical or narrative scene with elaborately dressed figures, possibly referencing a Kabuki or literary subject. The signature and seal of Utagawa Kuniyoshi are visible in the lower left corner. (bottom left) – confirms official approval for printing during the Edo period. Japanese woodblock print (Nishiki-e). 14.75″ × 10″ (37.5 × 25.4 cm). Common for Edo-period prints. Small holes and paper thinning areas. Visible, mostly near edges and upper right margin. Near upper text cartouche. Colors retain good vibrancy, particularly the blues and flesh tones. Sheet not backed, with some waviness due to age. There is visible overall toning and moderate foxing throughout the sheet, along with several small holes and areas of paper thinning, mostly near the edges and in the upper portion of the image. A small area of loss is present near the upper right corner within the text cartouche and at the bottom Samari’s foot. The paper has some waviness from age but remains intact and stable. Despite the wear, the print retains good color saturation-especially in the blue pigments and patterned garments-and the impression remains strong with clear linework. The sheet has not been backed or repaired, preserving its authenticity and original texture. Acquired from a private collection of antique Japanese prints. Old collection note on reverse identifying artist as Kuniyoshi. Original Edo-period Kuniyoshi prints in comparable condition generally sell between. Depending on subject and preservation. Depicting a group of courtiers or samurai attendants in rich blue and patterned robes. Kuniyoshi was one of the last great masters of the ukiyo-e tradition and is highly regarded for his bold linework and storytelling compositions. This print features excellent color retention and distinct line work, with visible censor and artist seals confirming its authenticity as a period impression. Moderate foxing and edge wear consistent with age. A fine example of Kuniyoshi’s skill and narrative artistry-suitable for collectors of Edo-era prints, Japanese art history enthusiasts, or framing and display. The backing boards will be covered in a moisture wrap for further protection against liquid and will then be wrapped in bubble wrap for shock absorption. If you have questions, please ask before purchasing.

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We do our best to photograph and explain the condition of the item as best we can. As with most vintage items, may have signs of use, or such as, scuffs, nicks, marks, and or, discoloration. PLEASE CHECK THE CLOSE UP PICTURES FOR DEFECTS/IMPERFECTIONS/MEASUREMENTS! Packaged with experience and care. From a clean, non-smoking, pet- friendly location. Scratches here and there. Minor cleaning may be desired. Sales of items will only include what is pictured. Just let me know what items you are interested in. Please allow 0.4 -1 inches error due to manual measurements. THIS LOT IS ELIGIBLE FOR A 30-DAY UNCONDITIONAL RETURN FROM THE DATE OF THE SALE. I mostly use recycled packaging to reduce a carbon footprint but I always ensure your item will be delivered safely and well. Thank you for supporting my small business!

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Color woodcut on Japan. Ichiyûsai Kuniyoshi ga, with Yoshi Kiri seal. They measure 14.5″ X 10″. I pack your items like I would want my stuff to be packed, safe and sound. NOTE: We get a lot of emails and we will answer them as the order they are received. Please see photos for details! Please visit our store! Be confident your package will arrive safely! Item Number: 6014-273 SKU: 5807 Condition Description.

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About Us We are located in Japan. It’s our pleasure to make you happy by proposing our recommended items. If you have any questions or requests about items, please feel free to ask us. Additional costs will apply. Please feel free to contact me for details.

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Bookstore situated in Tokyo, Japan. Feel free to have a look at our store! Work name:???? Ono Sadakuro, Senzaki Yagoro, Chushin meimei kikigaki zosho. For items condition please see photos and comment. Please understand that we occurred a simple check so there might be little oversight. We try to photograph and describe the condition as accurately as possible. Although, the condition of the item may be felt worse than our description due to individual subjectivity. Displayed price is applicable for any number of prints on our store. And it may take longer than the number of days written above. We do not mark merchandise values below value or mark items as gifts. Japan, US and International government regulations prohibit such behavior.

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Antique Japanese Woodblock Print by Utagawa Kuniyoshi Samurai Saya-Ate c. Presented is a beautiful Japanese full oban-size woodblock print created by the renowned artist of the late Edo period, Utagawa Kuniyoshi (1798 – 1861). Kuniyoshi was born in Edo (present-day Tokyo) and is known for his dynamic and imaginative prints. Kuniyoshi’s works covered a wide range of subjects, including historical scenes, landscapes, kabuki actors, and mythical creatures. He was particularly skilled in depicting warriors and samurai, often creating dramatic and action-packed compositions. His style was characterized by bold lines, vibrant colors, and intricate details. He had a unique ability to capture the essence of his subjects, infusing them with energy and personality. Kuniyoshi’s prints were highly popular during his lifetime and continue to be admired for their technical skill and storytelling abilities. In addition to his artistic achievements, Kuniyoshi also played a significant role in the development of ukiyo-e as a medium. He was known for his experimentation with new techniques and his willingness to push the boundaries of traditional woodblock printing. Overall, Utagawa Kuniyoshi is considered one of the most innovative and influential ukiyo-e artists of his time, leaving a lasting impact on the genre and inspiring future generations of artists. Many museums in the world have Kuniyoshi works: British Museum Metropolitan Museum of Art in NY Museum of Fine Arts in Boston Tokyo National Museum Museum of Fine Arts in Houston Honolulu Museum of Art and many others The print presented depicts a samurai warrior in fighting position, ready to attack or defend. This is a scene from the Kabuki theater play, “Ukiyozuka Hiyoku no Inazuma” (Inazuma, the Paired Flashes on Ukiyozuka), which premiered in 1823. The action takes place in the Hideoshi times of the mid-1500s. The man is a character from the play called Fuwa Banzaemon, and the scene is called “Saya-ate”. It was the most popular scene of the play that was frequently staged independently. “Saya-ate” (?) is a Japanese term that can refer to a literal or symbolic clash, specifically the clashing of sword scabbards, or a rivalry over a woman. In Kabuki play, this word is associated with the confrontation between Nagoya Sanza and Fuwa Banzaemon, who were both in love with the courtesan Katsuragi. Fuwa Banzaemon is a dandy who leads a shiratsuka-gumi (a group of samurai who have come together and wear flashy, eccentric clothing). He served the Sasaki family of feudal lords, but planned to embezzle them, killed Nagoya Sanza’s father and stole his celebrated sword. This is a beautiful sneak peek into the historical Japanese figures immortalized by Kabuki theater plays that were played for centuries. The print was made using the Japanese woodblock technique during the lifetime of the artist. It shows his signature “Ichiyusai Kuniyoshi ga”. Publisher: Kawaguchiya Shozo Censor’s Seal and Date: kiwame, 1830s AUTHOR: Utagawa Kuniyoshi TITLE: Seki Sanjuro II as Fuwa Banzaemon from the scene “Saya-ate” CREATED: c. Paper METHOD OF PRINTING: Woodblock printing PRINTED: Lifetime printing circa 1830 PRINT SIZE: Full oban size 15″ X 10.25″ The print is mounted to a simple mat 18″ X 13.5″. Condition: good impression, slight fading, some rubbing, and soiling. Minor worm-holes patching at the bottom. Auctiva offers Free Image Hosting and Editing. Track Page Views With.

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