https://japanesewoodblockedition.com Tue, 08 Sep 2026 08:28:43 +0000 en-US hourly 1 https://wordpress.org/?v=4.1.1 https://japanesewoodblockedition.com/2026/07/katsushika-hokusai-authentic-woodblock-print-yoro-waterfall-in-mino-province-3/ https://japanesewoodblockedition.com/2026/07/katsushika-hokusai-authentic-woodblock-print-yoro-waterfall-in-mino-province-3/#comments Sun, 26 Jul 2026 13:42:44 +0000 https://japanesewoodblockedition.com/2026/07/katsushika-hokusai-authentic-woodblock-print-yoro-waterfall-in-mino-province-3/











Vintage Katsushika Hokusai Authentic Woodblock Print “Yoro Waterfall in Mino Province” by the Adachi institute specializing in preserving ancient woodblock layered technics.

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After Katsushika Hokusai 1760 – 1849 Title: Mishima Pass in Kai Province (Koshu Mishimagoe) Woodblock on paper Signed in block to upper left From the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei) Condition – minor toning to sheet; faint impressions and abrasions throughout the composition; minor staining to upper left near signature; minor wear to frame; minor wear to verso. Dimensions 22.0″W× 16.5″Hx 1.25″D – measures frame; sight measures 14.0″ W × 9.5 H. Item not examined outside of mounting.

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“Famous Places in the 60-odd Provinces”. Original Color Woodblock Print. ACTUAL SIZE: 14.25″ H 9.75″ W. Japanese Original color woodblock print by Hiroshige. Condition; Very good color and impression, light soiling and wear on the margins, worm holes, small stains. Please Refer to all the pictures. Don’t miss out on this opportunity! PLEASE DON’T FORGET TO LEAVE FEEDBACK.

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Vintage Katsushika Hokusai Authentic Woodblock Print “Yoro Waterfall in Mino Province” by the Adachi institute specializing in preserving ancient woodblock layered technics.

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CHIKUZEN Province Utagawa Hiroshige Japanese Woodblock Framed Art Print 18×15. PROVINCE DE CHIKUZEN HAKOSAKI, UMI NO NACHAMICHI (Chikuzen Province: Hakozaki, the Road through the Sea) It is a very beautiful re-print of the original. This is one in a series of 69 prints. As of this listing, I have 35 of them, all professionally framed in a brushed silver toned frame and matted in black They all came from the same Estate in Louisville, KY. All are in excellent condition and any one or all of them would add greatly to your Asian art collection. The last 5 pictures are from one of these that had a damaged back. I deconstructed it so you could see all the layers and materials involved. The image is a woodblock print titled “Chikuzen Province: Hakozaki, the Road through the Sea” by Hiroshige Utagawa, created in 1855. It is part of the series “Famous Views of the Sixty-odd Provinces”. It measures 14.5 x 9.75 inches and was published by Koshimuraya Heisuke. The series comprises 70 landscape prints representing views from each of Japan’s provinces and Edo. Hiroshige may have drawn inspiration from travel guides or Hokusai’s sketches for this series. The vertical format is unusual for a landscape series but was also used in Hiroshige’s “Upright Tokaido” series. Multiple editions of the series were published due to its popularity. Born in Edo as Tokutaro Ando, Hiroshige Utagawa grew up in a minor samurai family. His father belonged to the firefighting force assigned to Edo Castle. It is here that Hiroshige was given his first exposure to art: legend has it that a fellow fireman tutored him in the Kano school of painting, though Hiroshige’s first official teacher was Rinsai. Though Hiroshige tried to join Toyokuni Utagawa’s studio, he was turned away. In 1811, young Hiroshige entered an apprenticeship with the celebrated Toyohiro Utagawa. After only a year, he was bestowed with the artist name Hiroshige. He soon gave up his role in the fire department to focus entirely on painting and print design. During this time he studied painting, intrigued by the Shijo school. Hiroshige’s artistic genius went largely unnoticed until 1832. With the Tokugawa Shogunate relaxing centuries of age-old restrictions on travel, urban populations embraced travel art and Hiroshige Utagawa became one of the most prominent and successful ukiyo-e artists. He also produced kacho-e (bird-and-flower pictures) to enormous success. In 1858, at the age of 61, he passed away as a result of the Edo cholera epidemic. Hiroshige Utagawa’s woodblock prints continue to convey the beauty of Japan and provide insight into the everyday life of its citizens during the Edo period. The appeal of his tender, lyrical landscapes was not restricted to the Japanese audience. Hiroshige’s work had a profound influence on the Impressionists and Post-Impressionists of Europe: Toulouse-Lautrec was fascinated with Hiroshige’s daring diagonal compositions and inventive use of perspective, while Van Gogh literally copied two of Hiroshige’s prints from the famous series, 100 Famous Views of Edo in oil paint. Hiroshige (1797 – 1858). Mimasaka Province, Yamabushi Valley. Series: Famous Places in the 60-odd Provinces. Size (H x W): 14.5 x 10.75 (inches). Publisher: Koshimuraya Heisuke (Koshihei). Seals: Date and Aratame. Condition: Very good color and impression, light soiling and wear, embellished with mica.

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What I’m sharing is based on my own inspection and research, but it’s still just my opinion. Dates, origins, materials, and attributions are my observations not guaranteed facts. If you have any questions, please message me. Original Japanese Woodblock Print by Utagawa Hiroshige Omi Province Lake Biwa. Offered here is an authentic Japanese woodblock print after the original design by master ukiyo e artist Utagawa Hiroshige 1797 to 1858 one of the most celebrated landscape artists of the Edo period and a profound influence on Western artists including Van Gogh and Monet. This composition depicts a tranquil view of Lake Biwa in Omi Province part of Hiroshige’s renowned series Famous Places in the Sixty Odd Provinces created between 1853 and 1856. The scene captures the quiet poetry of the Japanese landscape mist rising across still waters distant mountains fading into soft light and a solitary shrine nestled among ancient pines. Hiroshige was revered for his ability to convey atmosphere serenity and emotional presence and this work exemplifies his mastery. Printed using traditional Japanese woodblock techniques this piece reflects the craftsmanship of skilled block carvers and printers who worked collaboratively to bring Hiroshige’s vision to life. The subtle gradations of color delicate linework and harmonious composition reflect the hallmarks of classical ukiyo e production. This print is presented in an attractive bamboo frame complementing the aesthetic and preserving its timeless character. The bamboo frame evokes traditional Japanese display methods and enhances its presence as a refined work of art suitable for home office or collection. Hiroshige’s landscape prints remain among the most sought after examples of Japanese woodblock art valued for their beauty historical significance and enduring influence on global art history. Original woodblock prints after Hiroshige’s designs are held in major museum collections worldwide including the Metropolitan Museum of Art the British Museum and the Museum of Fine Arts Boston. This piece offers collectors and admirers the opportunity to own a genuine example of traditional Japanese woodblock artistry inspired by one of the most important masters of the nineteenth century. Artist Utagawa Hiroshige 1797 to 1858. Series Famous Places in the Sixty Odd Provinces. Subject Omi Province Lake Biwa. Medium Traditional Japanese woodblock print. Presentation Framed in bamboo frame. Condition Very good vintage condition consistent with age. Please review all photographs carefully as they form part of the description. This is a beautiful and historically significant example of Japanese ukiyo e art that will make a meaningful addition to any collection. I’m not a certified appraiser or authenticator.

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What I’m sharing is based on my own inspection and research, but it’s still just my opinion. Dates, origins, materials, and attributions are my observations not guaranteed facts. If you have any questions, please message me. This antique Japanese woodblock print after the master Utagawa Hiroshige dates to the mid 1800s and reflects the refined landscape tradition of the Edo period. Hiroshige, active from 1797 to 1858, is widely regarded as one of the most important artists in Japanese history, and his works are preserved in major museum collections worldwide. The composition depicts a peaceful river crossing scene with figures traversing a wooden bridge, boats drifting across calm waters, and distant mountains fading into soft atmospheric light. This tranquil landscape captures the essence of nineteenth century Japan and demonstrates Hiroshige’s mastery of perspective, balance, and emotional depth. Printed using the traditional Japanese woodblock process on period paper, the work displays the delicate linework, tonal gradation, and natural aging consistent with nineteenth century examples. The intimate koban format provides a refined and highly collectible presentation valued by collectors for its historical authenticity. The piece is preserved in an antique bamboo frame, which complements the artwork and reflects traditional Japanese display aesthetics. The frame enhances its presence while protecting the print and allowing it to be immediately displayed. Authentic nineteenth century Hiroshige woodblock prints are increasingly difficult to acquire, as many reside in museum collections and long established private holdings. This example offers both historical significance and enduring artistic beauty. An excellent opportunity to acquire a genuine antique Japanese woodblock print connected to one of the most influential artists of the Edo period.

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HYUGA Province Utagawa Hiroshige Japanese Woodblock Framed Art Print 18×15. PROVINCE DE HYUGA, LE PORT D’ABURATSU OBI OSHIMA. It is a very beautiful re-print of the original. This is one in a series of 69 prints. As of this listing, I have 35 of them, all professionally framed in a brushed silver toned frame and matted in black They all came from the same Estate in Louisville, KY. All are in excellent condition and any one or all of them would add greatly to your Asian art collection. The last 5 pictures are from one of these that had a damaged back. I deconstructed it so you could see all the layers and materials involved. The image is a woodblock print titled “Hyuga Province: Aburatsu Port, Obi Oshima” by Utagawa Hiroshige, part of the series “Famous Views of the Sixty-odd Provinces”. Created between 1853 and 1856. Depicts Aburatsu Port in Hyuga Province (now Miyazaki Prefecture). Shows a coastal scene with boats, rocky islands, and a village. The text on the print includes the series title, province name, and location. It is a nishiki-e (full-color print) in aiban format. Hiroshige produced 70 prints for this series, including one for each province, Edo (Tokyo), and a table of contents. Born in Edo as Tokutaro Ando, Hiroshige Utagawa grew up in a minor samurai family. His father belonged to the firefighting force assigned to Edo Castle. It is here that Hiroshige was given his first exposure to art: legend has it that a fellow fireman tutored him in the Kano school of painting, though Hiroshige’s first official teacher was Rinsai. Though Hiroshige tried to join Toyokuni Utagawa’s studio, he was turned away. In 1811, young Hiroshige entered an apprenticeship with the celebrated Toyohiro Utagawa. After only a year, he was bestowed with the artist name Hiroshige. He soon gave up his role in the fire department to focus entirely on painting and print design. During this time he studied painting, intrigued by the Shijo school. Hiroshige’s artistic genius went largely unnoticed until 1832. With the Tokugawa Shogunate relaxing centuries of age-old restrictions on travel, urban populations embraced travel art and Hiroshige Utagawa became one of the most prominent and successful ukiyo-e artists. He also produced kacho-e (bird-and-flower pictures) to enormous success. In 1858, at the age of 61, he passed away as a result of the Edo cholera epidemic. Hiroshige Utagawa’s woodblock prints continue to convey the beauty of Japan and provide insight into the everyday life of its citizens during the Edo period. The appeal of his tender, lyrical landscapes was not restricted to the Japanese audience. Hiroshige’s work had a profound influence on the Impressionists and Post-Impressionists of Europe: Toulouse-Lautrec was fascinated with Hiroshige’s daring diagonal compositions and inventive use of perspective, while Van Gogh literally copied two of Hiroshige’s prints from the famous series, 100 Famous Views of Edo in oil paint. Hiroshige (1797 – 1858). Mimasaka Province, Yamabushi Valley. Series: Famous Places in the 60-odd Provinces. Size (H x W): 14.5 x 10.75 (inches). Publisher: Koshimuraya Heisuke (Koshihei). Seals: Date and Aratame. Condition: Very good color and impression, light soiling and wear, embellished with mica.

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BUNGO Province Utagawa Hiroshige Japanese Woodblock Framed Art Print 18×15. PROVINCE DE BUNGO MINOSAKI (Bungo Province, Minosaki) It is a very beautiful re-print of the original. This is one in a series of 69 prints. As of this listing, I have 35 of them, all professionally framed in a brushed silver toned frame and matted in black They all came from the same Estate in Louisville, KY. All are in excellent condition and any one or all of them would add greatly to your Asian art collection. The last 5 pictures are from one of these that had a damaged back. I deconstructed it so you could see all the layers and materials involved. Key features of the print include. It depicts the landscape of Minosaki in Bungo Province, showcasing a coastal scene with mountains, boats, and a village. The print employs a vertical format, a characteristic of this series, allowing for a unique perspective and depth. Hiroshige uses bokashi shading to add depth and dimension to the image, particularly in the rendering of the mountains. This series captures famous views from each of Japan’s provinces, reflecting the beauty and diversity of the country during the Edo period. Bungo Province corresponds to present-day Oita Prefecture on the island of Kyushu, Japan. It’s believed Hiroshige drew inspiration from travel guides and possibly Hokusai’s sketches, as travel was restricted for artists during the Edo period. The series represents an evolution in Hiroshige’s landscape design, noted for its modern compositions and vertical format. Born in Edo as Tokutaro Ando, Hiroshige Utagawa grew up in a minor samurai family. His father belonged to the firefighting force assigned to Edo Castle. It is here that Hiroshige was given his first exposure to art: legend has it that a fellow fireman tutored him in the Kano school of painting, though Hiroshige’s first official teacher was Rinsai. Though Hiroshige tried to join Toyokuni Utagawa’s studio, he was turned away. In 1811, young Hiroshige entered an apprenticeship with the celebrated Toyohiro Utagawa. After only a year, he was bestowed with the artist name Hiroshige. He soon gave up his role in the fire department to focus entirely on painting and print design. During this time he studied painting, intrigued by the Shijo school. Hiroshige’s artistic genius went largely unnoticed until 1832. With the Tokugawa Shogunate relaxing centuries of age-old restrictions on travel, urban populations embraced travel art and Hiroshige Utagawa became one of the most prominent and successful ukiyo-e artists. He also produced kacho-e (bird-and-flower pictures) to enormous success. In 1858, at the age of 61, he passed away as a result of the Edo cholera epidemic. Hiroshige Utagawa’s woodblock prints continue to convey the beauty of Japan and provide insight into the everyday life of its citizens during the Edo period. The appeal of his tender, lyrical landscapes was not restricted to the Japanese audience. Hiroshige’s work had a profound influence on the Impressionists and Post-Impressionists of Europe: Toulouse-Lautrec was fascinated with Hiroshige’s daring diagonal compositions and inventive use of perspective, while Van Gogh literally copied two of Hiroshige’s prints from the famous series, 100 Famous Views of Edo in oil paint. Hiroshige (1797 – 1858). Mimasaka Province, Yamabushi Valley. Series: Famous Places in the 60-odd Provinces. Size (H x W): 14.5 x 10.75 (inches). Publisher: Koshimuraya Heisuke (Koshihei). Seals: Date and Aratame. Condition: Very good color and impression, light soiling and wear, embellished with mica.

]]> https://japanesewoodblockedition.com/2026/01/bungo-province-utagawa-hiroshige-japanese-woodblock-framed-art-print-18x15-vtg/feed/ 0 https://japanesewoodblockedition.com/2026/01/totomi-province-utagawa-hiroshige-japanese-woodblock-framed-art-print-18x15-vtg/ https://japanesewoodblockedition.com/2026/01/totomi-province-utagawa-hiroshige-japanese-woodblock-framed-art-print-18x15-vtg/#comments Wed, 21 Jan 2026 12:59:46 +0000 https://japanesewoodblockedition.com/2026/01/totomi-province-utagawa-hiroshige-japanese-woodblock-framed-art-print-18x15-vtg/ […]]]>
















TOTOMI Province Utagawa Hiroshige Japanese Woodblock Framed Art Print 18×15. It is a very beautiful re-print of the original. This is one in a series of 69 prints. As of this listing, I have 35 of them, all professionally framed in a brushed silver toned frame and matted in black They all came from the same Estate in Louisville, KY. All are in excellent condition and any one or all of them would add greatly to your Asian art collection. The last 4 pictures are from one of these that had a damaged back. I deconstructed it so you could see all the layers and materials involved. The image is a Ukiyo-e print titled “Totomi Province: The Narrow Inlet of Inasa near Kanzan Temple on Hamana Lake at Horie” by Utagawa Hiroshige, part of the series “Famous Views of the Sixty-odd Provinces”. Depicts the scenic Inasa inlet and Kanzan Temple on Lake Hamana in Totomi Province (present-day Shizuoka Prefecture). The series includes 69 prints representing the provinces of Japan and Edo (Tokyo). Published between 1853 and 1856. Shows a curving view of the mountain and peninsula near the Inasa-Horie inlet. The text on the print reads “Famous Places in the Sixty-odd Provinces” and “Totomi Province: Lake Hamana, Kanzan Temple in Horie and the Inasa-Hosoe Inlet”. Born in Edo as Tokutaro Ando, Hiroshige Utagawa grew up in a minor samurai family. His father belonged to the firefighting force assigned to Edo Castle. It is here that Hiroshige was given his first exposure to art: legend has it that a fellow fireman tutored him in the Kano school of painting, though Hiroshige’s first official teacher was Rinsai. Though Hiroshige tried to join Toyokuni Utagawa’s studio, he was turned away. In 1811, young Hiroshige entered an apprenticeship with the celebrated Toyohiro Utagawa. After only a year, he was bestowed with the artist name Hiroshige. He soon gave up his role in the fire department to focus entirely on painting and print design. During this time he studied painting, intrigued by the Shijo school. Hiroshige’s artistic genius went largely unnoticed until 1832. With the Tokugawa Shogunate relaxing centuries of age-old restrictions on travel, urban populations embraced travel art and Hiroshige Utagawa became one of the most prominent and successful ukiyo-e artists. He also produced kacho-e (bird-and-flower pictures) to enormous success. In 1858, at the age of 61, he passed away as a result of the Edo cholera epidemic. Hiroshige Utagawa’s woodblock prints continue to convey the beauty of Japan and provide insight into the everyday life of its citizens during the Edo period. The appeal of his tender, lyrical landscapes was not restricted to the Japanese audience. Hiroshige’s work had a profound influence on the Impressionists and Post-Impressionists of Europe: Toulouse-Lautrec was fascinated with Hiroshige’s daring diagonal compositions and inventive use of perspective, while Van Gogh literally copied two of Hiroshige’s prints from the famous series, 100 Famous Views of Edo in oil paint. Hiroshige (1797 – 1858). Mimasaka Province, Yamabushi Valley. Series: Famous Places in the 60-odd Provinces. Size (H x W): 14.5 x 10.75 (inches). Publisher: Koshimuraya Heisuke (Koshihei). Seals: Date and Aratame. Condition: Very good color and impression, light soiling and wear, embellished with mica.

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