https://japanesewoodblockedition.com Tue, 11 Aug 2026 14:53:47 +0000 en-US hourly 1 https://wordpress.org/?v=4.1.1 https://japanesewoodblockedition.com/2026/08/japanese-woodblock-print-children-and-wish-tree-by-hitoshi-kiyohara-1896-1956/ https://japanesewoodblockedition.com/2026/08/japanese-woodblock-print-children-and-wish-tree-by-hitoshi-kiyohara-1896-1956/#comments Mon, 10 Aug 2026 22:51:45 +0000 https://japanesewoodblockedition.com/2026/08/japanese-woodblock-print-children-and-wish-tree-by-hitoshi-kiyohara-1896-1956/













This is a beautiful original more contemporary Japanese Wood Block Print. It is in great condition, considering its age and is nicely framed. The frame has light scratches and signs of where, but overall it is in good condition. Take a look at all the photos to see general condition and dimensions.

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NAMIKI HAJIME Woodblock Print Tree Scene 160B ED200 signed Pre-ordered. Hajime Namiki was Born in 1947 Tokyo, JAPAN. Education : Studied under Ogura Mozan and Kato Yaso. We do not mark merchandise values below value or mark items as “gifts” – Japan, US and International government regulations prohibit such behavior. About Importer’s Obligation. Thank you for your understanding.

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NAMIKI HAJIME Woodblock Print Tree Scene 160B Limited to 200 30 x 37cm 2024. International Buyers – Please Note. Thank you for your understanding.

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1910s From the collection of Robert O. Muller Size: 7 3/8 x 14 3/8 Very good condition and impression, lightly embossed Foxing, mostly visible on verso MADE IN JAPAN stamped on verso Artist’s seal (Koson) Publisher: Daikokuya (Matsuki Heikichi).

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VTG JAPANESE WOODBLOCK PRINT “PINE TREE OF THE FRIENDLY GARDEN” BY TOSHI YOSHIDA. THIS IS A VINTAGE WOODBLOCK PRINT BY TOSHI YOSHIDA. ISSUED IN 1980 BY THE FRANKLIN MINT GALLERY AND PUBLISHED BY THE YOSHIDA FAMILY PUBLISHERS. IT SHOWS AN IMMENSE PINE TREE SET IN A BEAUTIFUL JAPANESE GARDEN WITH TWO DUCKS ENJOYING THE TRANQUILITY OF THE POND. TOSHI IS PART OF A LONG AND FAMOUS LINE OF PAST AND PRESENT ARTISTS WHOSE INFLUENCE AND POPULARITY PERSIST TO THIS DAY. HIS FATHER, HIROSHI YOSHIDA, WAS A MASTER PAINTER AND WOODBLOCK PRINT ARTISTS AT THE HEIGHT OF THE SHIN-HANGA PRINT MOVEMENT. BORN IN TOKYO, TOSHI WAS THE SON OF THE FAMOUS WOODBLOCK PRINT ARTIST HIROSHI YOSHIDA. HE BEGAN STUDYING ART AT AN EARLY AGE AND QUICKLY DEVELOPED HIS SKILLS AS A PRINTMAKER. CONDITION: VERY GOOD. 1 SMALL TEAR IN THE BACK OF THE FRAME AS SHOWN. THERE IS ALSO SOME FAINT STAINING TO THE MATTE THAT SURROUNDS THE PAINTING AT THE TOP AS SHOWN IN OUR PHOTOS. PLEASE SEE ALL OF OUR DETAILED PHOTOS, THANK YOU!

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Vintage Japanese Woodblock Print “Pine Tree in Shin Karasaki” by Tokuriki c. Presented is a beautiful Japanese woodblock print created in the 1930s by the renowned artist Tokuriki Tomikichiro. Collectors often recognize him for his refined pastel-colored landscape prints, but his lifelong commitment to sosaku hanga (creative prints) reveals a much deeper artistic legacy. Tomikichiro Tokuriki was born on March 22, 1902, in Kyoto, Japan. He first studied art under his grandfather before entering the Kyoto School of Arts and Crafts, where he completed two years of preparatory courses and four years of regular studies. He then attended the Kyoto College of Art for an additional three years, graduating in 1923. He lived and worked in Kyoto until his death in 1999. During his student years, Tokuriki became deeply interested in the sosaku hanga movement, which emphasized the artist’s direct involvement in designing, carving, and printing. Trained by a professional carver and a ukiyo-e printer, he mastered the entire printmaking process. This personal engagement embodied the core principles of creative printmaking. Tokuriki joined the Hanga Association, collaborating with leading figures such as Unichi Hiratsuka, Masao Maeda, Kihachiro Shimozawa, Hide Kawanishi, and Shiko Munakata. Through this network, he became one of the central Kyoto-based advocates of sosaku hanga. The print was made using the Japanese woodblock technique in the 1930s. It depicts the famous Shin Karasaki pine tree in front of Lake Biwa in the rain. This is a very old ancient pine tree that is over 1000 years old – it is also depicted on one of Utagawa Hiroshige’s prints from the 1850s. This pine tree was the subject of the poem by the famous Japanese poet Basho in 1684: The Karasaki pine tree is mistier than the cherry blossoms. I have provided the picture of the tree from a 1900 postcard. It was believed to be 1000 years old in Basho’s time. Note that the large horizontal branches of the tree are supported by multiple wooden pillars. AUTHOR: Tomikichiro Tokuriki TITLE: Pine tree in Shin Karasaki SERIES: “Omi Hakkei” (“Eight Views of Omi”). Paper METHOD OF PRINTING: Woodblock printing PRINTED: c. 1930s PRINT SIZE: 11.25″ X 10″ FRAME SIZE: 17.5″ X 13.5″ The condition is very good. Great detail and colors, very minor age-related toning. It is framed in a modern, good-quality wooden frame with non-reflective plastic glass. Please contact me if you want to arrange the sale without a frame. Auctiva offers Free Image Hosting and Editing. Track Page Views With.

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This product is a beautifully framed woodblock print titled “1898 Plum Tree and Blue Magpie” by artist Toshi Yoshida. Created in Japan using traditional woodcut printing techniques, this medium-sized piece features a landscape orientation and is signed by the artist. The intricate design captures a serene scene of a plum tree and blue magpie, showcasing Yoshida’s unique Japanese Woodprinting style. This original print is a stunning addition to any art collection, offering a piece of history and culture from 1898.

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Japanese Woodblock Print Kitagawa Utamaro Geisha Young Tree Fresh Leaves Ukiyo-e MA388. This hand-printed woodblock print, meticulously restored by the Adachi Hanga Research Institute, is a faithful reproduction of “Toji Zensei Bijin-zoroi: Matsubaya-nai Some-nosuke – Wakaki Wakaba” (Array of the Most Prosperous Beauties of the Time: Some-nosuke of Matsubaya – Young Tree, Fresh Leaves) by Kitagawa Utamaro, one of the most renowned Ukiyo-e artists of the Edo period. Utamaro’s mastery of Bijin-ga (beautiful women portraits) is evident in his ability to depict refined elegance, subtle expressions, and exquisite kimono patterns. This artwork is part of Utamaro’s “Toji Zensei Bijin-zoroi” (Array of the Most Prosperous Beauties of the Time) series, which showcases celebrated courtesans from famous teahouses of the Edo period. In this piece, Some-nosuke of Matsubaya is portrayed with an air of youthful charm and sophistication, her name poetically linked to “Wakaki Wakaba” (Young Tree, Fresh Leaves), symbolizing fresh beauty and vitality. The flowing lines, delicate shading, and masterful use of color exemplify Utamaro’s iconic style, bringing this timeless scene to life. Printed on high-quality washi paper, this edition maintains the depth of color, soft tonal transitions, and intricate detailing true to the original Ukiyo-e technique. The print includes reference materials, providing insight into its history and the meticulous restoration process. Width: 35 cm / 13.78 inches. Height: 49.3 cm / 19.41 inches. Width: 27 cm / 10.63 inches. Height: 39.2 cm / 15.43 inches. 238 g / 0.52 lbs. An old vintage collection. Please check the status in the picture. Our store offers a variety of rare collectibles. Japan post(EMS): 4-12days. When returning a product, it must be sent through a trackable service. About antiques & vintage collection. Drawing on our 20 years of experience, we do our best to provide accurate information in the collectibles’ descriptions.

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The product is a signed limited edition woodblock print titled “Tree Scene 111″ by Japanese artist Hajime Namiki, born in 1947. This medium-sized landscape print depicts a tree as its subject, showcasing traditional Japanese woodprinting techniques with a contemporary twist. The unframed print is made on paper, making it a unique and handmade piece of art perfect for collectors interested in Japanese woodblock prints.

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This is a wonderful original woodblock print hand carved and pulled by American artist Kevin Clark. It is hand signed in pencil in the lower right corner and in the lower left corner is the artist signature stamp along with “artist proof” in pencil. It’s a nice size, approx. 11 inches X 13 inches including a 1.75-inch margin. Hand printed on Japanese handmade paper or “washi”. It has wonderful color and great impression.

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