https://japanesewoodblockedition.com Thu, 06 Aug 2026 22:35:02 +0000 en-US hourly 1 https://wordpress.org/?v=4.1.1 https://japanesewoodblockedition.com/2026/05/toshi-yoshida-1911-1995-mt-fuji-from-gotemba-woodblock-posthumous-edition/ https://japanesewoodblockedition.com/2026/05/toshi-yoshida-1911-1995-mt-fuji-from-gotemba-woodblock-posthumous-edition/#comments Mon, 11 May 2026 20:33:43 +0000 https://japanesewoodblockedition.com/2026/05/toshi-yoshida-1911-1995-mt-fuji-from-gotemba-woodblock-posthumous-edition/








Stunning posthumous edition of the late Toshi Yoshida’s Mt. Fuji from Gotemba woodblock print. Frame measures 18.5 inches by 13.75 inches. Some wear on the frame but otherwise in very good pre-owned condition.

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Stunning posthumous edition of the late Toshi Yoshida’s “Early Spring in Azumino” woodblock print. Frame measures 18.5 inches by 13.75 inches. Some wear on the frame but otherwise in very good pre-owned condition.

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By Toshi Yoshida (1911 – 1995). Size : about 10.5 x 7.75 inches include margins. Signed in the block not hand writing. If you were unable to receive the package for any reason, please ensure it is picked up within 3 days. You won’t have to pay anything after checkout. We are off on Saturday, Sunday (Japan time) and National holidays in Japan.

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This design was originally published in 1941 by the Yoshida Hanga Studio. We are offering a posthumously printed image, made from the original blocks, and acquired directly from the Yoshida family. While it is signed in the block, it still looks like it is pencil signed to an untrained eye. To avoid any misunderstanding, the Yoshida Hanga Studio also included the seal of the printer on the reverse. The image measures 6 5/8 x 9 1/2 inches, plus full margins. The condition is excellent. Up until his father passed away in 1950, Toshi Yoshida primarily produced works that were reminiscent of his father’s landscape prints. His later works include a wide assortment of subjects, styles and techniques. Don’t settle for a giclee or other mechanical reproduction. These woodblock prints are made using the same printing process as the original pencil signed run, under the supervision of the artist’s family and meeting their exacting standards.

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This design was originally published in 1951 by the Yoshida Hanga Studio. We are offering a posthumously printed image, made from the original blocks, and acquired directly from the Yoshida family. It has the same embossed printing as the original run. While it is signed in the block, it still looks like it is pencil signed to an untrained eye. To avoid any misunderstanding, the Yoshida Hanga Studio also included the seal of the printer on the reverse. The image measures 14.5 x 9.5 inches, plus full margins. The condition is excellent. Up until his father passed away in 1950, Toshi Yoshida primarily produced works that were reminiscent of his father’s landscape prints. His later works include a wide assortment of subjects, styles and techniques. Don’t settle for a giclee or other mechanical reproduction. These woodblock prints are made using the same printing process as the original pencil signed run, under the supervision of the artist’s family and meeting their exacting standards.

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This design was originally published in 1942 by the Yoshida Hanga Studio. We are offering a posthumously printed image, made from the original blocks, and acquired directly from the Yoshida family. While it is signed in the block, it still looks like it is pencil signed to an untrained eye. To avoid any misunderstanding, the Yoshida Hanga Studio also included the seal of the printer on the reverse. The image measures 9 1/2 x 6 3/4 inches, plus full margins. The condition is excellent. Up until his father passed away in 1950, Toshi Yoshida primarily produced works that were reminiscent of his father’s landscape prints. His later works include a wide assortment of subjects, styles and techniques. Don’t settle for a giclee or other mechanical reproduction. These woodblock prints are made using the same printing process as the original pencil signed run, under the supervision of the artist’s family and meeting their exacting standards.

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This design was originally published in 1953 by the Yoshida Hanga Studio. We are offering a posthumously printed image, made from the original blocks, and acquired directly from the Yoshida family. While it is signed in the block, it still looks like it is pencil signed to an untrained eye. To avoid any misunderstanding, the Yoshida Hanga Studio also included the seal of the printer on the reverse. The image measures 9 1/2 x 14 1/2 inches, plus full margins. The condition is excellent. Up until his father passed away in 1950, Toshi Yoshida primarily produced works that were reminiscent of his father’s landscape prints. His later works include a wide assortment of subjects, styles and techniques. Don’t settle for a giclee or other mechanical reproduction. These woodblock prints are made using the same printing process as the original pencil signed run, under the supervision of the artist’s family and meeting their exacting standards.

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Toshi Yoshida Woodblock – Stone Lanterns Matted. Japanese woodblock print by. This design was originally published in 1941 by the Yoshida Hanga Studio. In good preowned condition. Unframed in the original Matting. Belonged to my aunt who passed and did a lot of traveling to Asia. Colors are very vibrant. Please see all closeups of the signatures and markings. Measurements of just the artwork. 10 1/2″ x 7 3/4″. 13 3/4″ x 10 1/4″. Please see photos, questions please message before purchasing.

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I’ve removed this and confirmed it’s a woodblock, signed at bottom.

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This painting is a vintage original woodblock print by artist Toshi Yoshida, titled Kilimanjaro, Morning. This piece of artwork was created in Japan post-1940 (1977) and features a unique multi-color design on paper. Limited to only 600 prints, this specific signed print is numbered 128/600, making it a one-of-a-kind collectible for art enthusiasts and collectors alike. The artwork is 11 1/2 x 24 inches. It is signed by Toshi Yoshida, in pencil. It is signed 1977. The print is in the excellent, mint condition, in a frame, under plexiglass. The paint on the frame is chipped, and there is paint on the backing paper on the backside. Toshi Yoshida was a Japanese artist that was moved by his visit to Africa. “Kilimanjaro, Morning” portrays the early rays of morning sun lighting up the slopes of the mountain, while the savanna in the foreground, populated with zebra and Wildebeest, is still veiled in shadow. Toshi Yoshida is best known for his woodblock prints. He was also a painter and illustrator. His work consists of realistic landscapes, detailed portraits of animals, and some abstract works. Yoshida was a second-generation Japanese woodblock printmaker. Both his father, Hiroshi Yoshida, and mother, Fujio Yoshida, were artists. He learned the woodblock technique in his father’s studio.

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