https://japanesewoodblockedition.com Mon, 03 Aug 2026 22:23:50 +0000 en-US hourly 1 https://wordpress.org/?v=4.1.1 https://japanesewoodblockedition.com/2026/06/ohara-koson-hand-colored-japanese-woodblock-print-frog-on-lotus-leaf/ https://japanesewoodblockedition.com/2026/06/ohara-koson-hand-colored-japanese-woodblock-print-frog-on-lotus-leaf/#comments Thu, 18 Jun 2026 06:39:50 +0000 https://japanesewoodblockedition.com/2026/06/ohara-koson-hand-colored-japanese-woodblock-print-frog-on-lotus-leaf/ […]]]>





OHARA KOSON Hand Colored Japanese Woodblock Print FROG on LOTUS LEAF. Early 20th century, issued 1900 – 1910, hand colored woodblock print of a frog sitting on a lotus leaf. Seal in red and black at lower right. Unframed, measures 9 7/8″ x 8 1/2″. Ohara Koson was a prolific printmaker of the twentieth century widely known for his kacho-ga, bird and flower prints. During his study with Kason, he took his artist name Koson, a partial adaptation of his teacher’s name. Early in his career, many of Koson’s prints were muted in colour and captured a sense of calmness and elegance. Occasionally the artist would choose other themes from the natural world, such as this example, with a frog sitting on a lotus leaf in the rain. And a big thank you for shopping with Gary Germer & Associates, we appreciate you stopping by. Gary is one of Portland, Oregon’s most respected antique & personal property appraisers & estate brokers. ISA certified and in the business for nearly 30 years, Gary has worked hard to build a name that is synonymous with integrity, honesty & good humor. We strive to only improve this reputation. Please expect prompt, friendly service. Authenticity of all items is guaranteed. Come visit us at our gallery, we’d love to meet you!

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Shokei Yamada Torii in Snow Original Hand Finished Woodblock Print. An attractive woodblock print by Shokei Yamada (Yoshinari). A beautiful work titled’ Torii in Snow’ dating to around 1890. Appears to be a vintage traditional woodblock print on washi paper. But the snow appears to be painted on top of the image. We havent tried removing it from the frame, so mounting technique is unknown. But there appears to be a creasing in the paper on the top border. Suggesting it is loose in the frame, but we cant be sure. With a pair of pin holes on the right side suggesting it was mounted. Or perhaps bound in a book previously. The print measures approximately 32 x 24 cm’s. And the frame measures 46.6 x 36.6 cm’s. The work is in good condition, no obvious fading of colours. Paper is yellowed with age and with foxing visible around the edge. And pinholes on the right margin as shown. Frame is in good general condition with some cosmetic damage to the paint. But otherwise in very good condition, as shown in the pictures. From the EX4 or EX32 areas in Devon. All proceeds from this sale go to charity. Supporting the work of the Devon Air Ambulance. Which enables us to increase the value of donations by 25%. Devon Air Ambulance is acting as an agent.

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Kasamatsu Shiro – Morning in Hakone UBAKO – Woodblock Print like Kawase Hasui. Shiro Kasamatsu was a student of Kaburagi Kiyokata. In the 1950s he published bird and animal prints, landscapes and “famous views” with the publisher Unsodo – more than 100 in total. The print is reprinted using original block. Shiro Kasamatsu worked in Shin Hanga and Sosaku Hanga style. Size: 36.5cm x 24cm. In that case, please let us know within 3 days of the arrival of the item.

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YOSHIDA Toshi . Woodblock print (mokuhanga) – Shin Hanga. Lifetime edition – hand-signed by the artist. 27.5 × 20.5 cm (10.8 × 8 inches) image; larger sheet with margins on thick washi paper. Pencil signed “Toshi Yoshida” in the lower right margin; titled “Sangetsu-an, Hakone Museum” in pencil in the lower left margin; brush signature and red artist’s seal within the image. Impression & Colors: Superb, crisp impression with vivid, fresh colors throughout. The rich autumn palette – vibrant reds, deep oranges, warm golds, and lush greens – is beautifully preserved with exceptional clarity and depth. The fine detail in the bark textures, foliage, and stone pathway demonstrates the outstanding quality of this lifetime impression. Color registration is precise across all blocks. Paper: Excellent condition, consistent with a near-new state. The thick, high-quality Japanese washi paper is clean and bright with minimal toning. The deckle edges are intact and well preserved. No foxing, tears, creases, or restoration. A remarkably well-kept example. Autumn at the Sangetsu-an Teahouse. This luminous composition captures the Sangetsu-an (, “Mountain Moon Hermitage”), a historic teahouse nestled within the grounds of the Hakone Museum of Art in the mountains of Kanagawa Prefecture. Yoshida frames the scene through an arrangement of elegant birch and pine trees, their trunks rendered with meticulous attention to the mottled bark textures. A winding stone path leads the eye through the garden toward a traditional wooden gate, beyond which glimpses of further autumnal colour beckon. A stone lantern at right anchors the composition, while the canopy above blazes with the full spectrum of Japanese autumn – fiery maple reds, amber yellows, and persisting deep greens. The technical achievement is remarkable. The print employs an extraordinary number of colour blocks to achieve the rich, layered palette of the autumn foliage, with subtle gradations and overprinting creating an almost three-dimensional sense of depth. Yoshida Toshi: Heir to a Printmaking Dynasty. The eldest son of the celebrated shin-hanga master Hiroshi Yoshida, Toshi grew up immersed in printmaking – learning oil painting and block carving from his father’s studio from childhood. After studying at the Pacific Painting Association and traveling extensively with his father through India, Southeast Asia, and beyond, he developed a distinctive artistic voice that honoured the family tradition while pushing its boundaries. The landscape prints of the early 1950s, including this Hakone Museum series, represent a pivotal moment in Toshi’s career – created in the years immediately following his father’s death in 1950, they are among his last major works in the naturalistic shin-hanga tradition before he turned to bold abstract experimentation. These prints stand as a culmination of the Yoshida landscape legacy: technically refined, emotionally evocative, and produced with the full resources of the family workshop. Toshi’s work is held in the collections of the Museum of Modern Art in New York, the British Museum, the Art Institute of Chicago, the Boston Museum of Fine Arts, and the National Museum of Modern Art in Tokyo, among many others. Rarity & Collecting Note. This is a lifetime edition, hand-signed in pencil by Toshi Yoshida – the most desirable category for collectors. Unlike the later posthumous impressions and raised-seal editions produced after the artist’s health declined, lifetime pencil-signed impressions were created under Toshi’s direct supervision and bear his personal approval. The exceptional, near-new condition of this example is particularly rare for a print over seventy years old, making it an outstanding opportunity for collectors of the Yoshida family’s work and Japanese twentieth-century printmaking.

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The product is a limited edition Japanese woodblock print poem 5, B hand signed by Haku Maki. This exquisite piece of art originates from Japan, showcasing the traditional craftsmanship and artistic flair that Japan is renowned for. The hand-signed nature of the print adds a unique and personal touch to the artwork, making it a valuable and collectible item for art enthusiasts.

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See all photos for exact condition. Great overall on the print. Slight staining on bottom of matting. Japanese Sosaku-hanga Woodblock Print – “Older Sister and Younger Brother” – S. Authentic mid-20th century Japanese sosaku-hanga woodblock print by S. Konishi, depicting an intimate family scene titled “Older Sister and Younger Brother”. This print was self-carved and self-printed by the artist, as indicated by the Japanese text (jikoku jizuri) along the lower margin-hallmark language of the sosaku-hanga (creative print) movement. Unlike traditional ukiyo-e, sosaku-hanga artists controlled the entire process, emphasizing personal expression and modern themes. The composition features muted post-war tones with a striking indigo garment pattern, expressive yet restrained facial rendering, and visible hand-carved texture throughout. Printed on handmade Japanese washi (mulberry) paper using traditional water-based pigments. This work reflects post-WWII Japanese modernism, focusing on family, resilience, and everyday life-common themes of the era.

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This antique Japanese hand-colored woodblock print features a samurai dressed man, showcasing intricate details and vibrant colors typical of Japanese art from the late 19th century. The woodblock print is classified as an antique reproduction, adding historical authenticity to the piece. Perfect for collectors of Asian antiques or those with a passion for traditional Japanese prints, this signed woodblock print offers a glimpse into the rich artistic heritage of Japan.

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Artist: Toshi Yoshida Title. Benkei Bridge Date of Original: 1941 – later edition printed from older woodblocks not necessarily original woodblocks Technique: Hand-printed Woodblock Print (Later Edition) Print Quality: Excellent Condition: Excellent Image Size: 24.1 × 17.1 cm approx. 9.5″ × 6.75″ Framed: Yes (Lovely Koa Frame included). Framed print is 11 1/2 by 15 inches. This is a beautifully rendered later edition of Benkei Bridge by Toshi Yoshida, a master of Japanese shin-hanga prints. Originally designed in 1941, this piece features two lovely women conversing at the entrance to the bridge while citizens of all ages are seen crossing the bridge behind them. Printed with careful attention to detail and striking color, this later edition features a hand-written title “Benkei Bridge” in the lower left and the artist’s signature “Toshi Yoshida” in the lower right. The print title and date are covered by the framing but the framer has included a xerox of the print showing the full margins which reveal this information. Note that this framed print reflected the camera during our photography. The resulting area on the left side of the print may look darker than the original. This print is beautifully framed with Hawaiian koa wood. Frame may show minor wear.

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Item Description? This is an original hand signed woodblock print by Japanese artist Reika Iwami. Limited edition of 300 copies, beautifully framed. A remarkable example of modern Japanese abstract woodblock art. Type: Hand-pulled woodblock print. Edition: Limited edition of 300 copies. Signature: Hand signed by the artist. Framed: Yes (wood frame included). Origin: Made in Japan. 12.2 x 15.7 inches (31.0 x 40.0 cm). 7.5 x 9.1 inches (19.0 x 23.0 cm). Print is in good condition with no major stains or damage. Frame shows some minor scratches and marks. Overall condition is good for a used item. Framed woodblock print as shown. Note? Reika Iwami was one of the pioneering female artists in Japan’s creative woodblock print movement. Her abstract compositions are highly respected in both domestic and international printmaking communities. And please understand what we can. International Buyers + Please Note. We do not mark merchandise values below value or mark items as “gifts” – the US and International government regulations prohibit such behavior. We want to express our heartfelt gratitude for visiting our product page. Your interest in our products means the world to us. We take pride in delivering top-quality items and exceptional service. Rest assured, your order will be treated with the utmost care. If you have any questions or need assistance, please don’t hesitate to reach out to us.

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