


Vintage Japanese Woodblock Print Utagawa Toyoharu Sanjusangendo Kyoto Recut Block. Kyoto Sanjusangendo no Zu. (View of Sanjusangendo in Kyoto). Woodblock Print (Uki-e Perspective Print). Toshiya Archery Competition at Sanjusangendo Temple. Vintage Reproduction / Recut Woodblock Edition. Mid-20th Century (Showa Period). Nishimuraya Yohachi (Eijudo mark replica). 14 1/2″ x 9 1/4″. 21 1/4″ x 16 3/4″. Good vintage condition; frame backing shows significant wear (see text). ? Detailed Item Description. About the Artwork: This exceptional woodblock print showcases the famous Toshiya (archery competition) at the historical Sanjusangendo Temple in Kyoto. The composition is a premier example of. (floating perspective pictures), utilizing strict linear perspective to capture the staggering length of the temple’s veranda. On the right, an archer kneels, aiming a longbow down the corridor toward a distant target. The center foreground features a covered judge’s booth with officials keeping score, while the left side depicts a lively promenade bustling with Edo-period pedestrians, onlookers, and travelers. (Note on Location: While often confused with the replica Fukagawa temple built in Edo, the explicit kanji on the margin of this print reads “, ” firmly establishing the setting as the original National Treasure temple in Kyoto). Production & Age Analysis: This piece is a mid-20th-century vintage edition printed from expertly recut woodblocks, replicating Toyoharu’s iconic late-18th-century masterpiece. Close-up inspection shows exceptionally crisp, sharp keylines and precise color registration, free from the block-wear or dye degradation seen in 250-year-old originals. This is an authentic, handmade woodblock print. Microscopic evaluation confirms there are zero digital artifacts, dot-matrix patterns, or offset lithographic halftones. It was printed using traditional hand-inked blocks pressed onto paper. The Print: In good vintage condition with strong ink work. Displays uniform, gentle fading consistent with a mid-century display piece. The Front Frame: Housed behind glass in a wooden frame with double matting. The presentation is clean and ready to hang. The Reverse Backing: The original brown paper backing on the reverse side shows severe age-related wear, tearing, and chipping around the edges (please see photos). The frame structure and hanging wire remain completely sound.
