Japanese_Woodblock_Print_1850s_Original_by_Utagawa_Kunisada_from_Japan_1119F7_01_pd

Japanese Woodblock Print 1850s Original by Utagawa Kunisada from Japan 1119F7

Japanese Woodblock Print 1850s Original by Utagawa Kunisada from Japan 1119F7
Japanese Woodblock Print 1850s Original by Utagawa Kunisada from Japan 1119F7
Japanese Woodblock Print 1850s Original by Utagawa Kunisada from Japan 1119F7
Japanese Woodblock Print 1850s Original by Utagawa Kunisada from Japan 1119F7

Japanese Woodblock Print 1850s Original by Utagawa Kunisada from Japan 1119F7
Japanese Woodblock Print 1850s Original by Utagawa Kunisada from Japan 1119F7. It’s an original Japanese Woodblock print with signs of wear, see photos. Artist: Utagawa Kunisada Title: Chimura Kimon Date: 1850s Size: 37 x 26cm The item is used and has age-related signs of wear. Please assess the condition based on the photos. Please note: All measurements are displayed in centimeters/millimeters. Please take a look at our other articles, too. Please find the product-details under “Item Specifics”. (: THANK YOU AND HAPPY SHOPPING :). _gsrx_vers_1730 GS 9.9.4 (1730). Right of Withdrawal. Consumers have the following right of withdrawal. You have the right to withdraw from this contract within 30 days without giving any reason. The withdrawal period will expire after 30 days from the day on which you acquire, or a third party other than the carrier and indicated by you acquires, physical possession of the goods. To exercise the right of withdrawal, you must inform us of your decision to withdraw from this contract by an unequivocal statement. You may use an attached model withdrawal form, but it is not obligatory. To meet the withdrawal deadline, it is sufficient for you to send your communication concerning your exercise of the right of withdrawal before the withdrawal period has expired. We may withhold reimbursement until we have received the goods back or you have supplied evidence of having sent back the goods, whichever is the earliest. Change of mind, incorrect size/fit.
Japanese Woodblock Print 1850s Original by Utagawa Kunisada from Japan 1119F7
Nishijima_Katsuyuki_Sumi_ya_Shimabara_Kyoto_94_Woodblock_Print_From_Japan_01_phvo

Nishijima Katsuyuki Sumi-ya, Shimabara, Kyoto’94 Woodblock Print From Japan

Nishijima Katsuyuki Sumi-ya, Shimabara, Kyoto'94 Woodblock Print From Japan

Nishijima Katsuyuki Sumi-ya, Shimabara, Kyoto'94 Woodblock Print From Japan
Artist: Nishijima Katsuyuki Work: “Sumi-ya, Shimabara, Kyoto’94” Medium: Woodblock Print Edition: Limited edition of 500. Image Size: 25.8 × 37.9 cm (10.16 × 14.92 in). This is a woodblock print by Japanese artist Nishijima Katsuyuki. The artwork titled “Sumi-ya, Shimabara, Kyoto’94” depicts a historic scene in Shimabara, Kyoto. The composition reflects the traditional atmosphere and architectural charm of the area. Printed using traditional woodblock techniques, this work is issued in a limited edition of 500. Please note that the actual colors may vary slightly depending on your display settings. About Importer’s Obligation. Thank you for your understanding. This is an essential tool for all horticulturists. Exactly what I wanted. Excellent quality and great customer service. Did not take long to arrive from Japan. I will be purchasing again in the future! Great value for a rare product!
Nishijima Katsuyuki Sumi-ya, Shimabara, Kyoto'94 Woodblock Print From Japan
Tokuriki_Tomikichiro_Mt_Fuji_Cherry_Blossom_Sakura_Woodblock_Print_Framed_Japan_01_dpup

Tokuriki Tomikichiro Mt. Fuji Cherry Blossom Sakura Woodblock Print Framed Japan

Tokuriki Tomikichiro Mt. Fuji Cherry Blossom Sakura Woodblock Print Framed Japan
Tokuriki Tomikichiro Mt. Fuji Cherry Blossom Sakura Woodblock Print Framed Japan
Tokuriki Tomikichiro Mt. Fuji Cherry Blossom Sakura Woodblock Print Framed Japan
Tokuriki Tomikichiro Mt. Fuji Cherry Blossom Sakura Woodblock Print Framed Japan
Tokuriki Tomikichiro Mt. Fuji Cherry Blossom Sakura Woodblock Print Framed Japan
Tokuriki Tomikichiro Mt. Fuji Cherry Blossom Sakura Woodblock Print Framed Japan
Tokuriki Tomikichiro Mt. Fuji Cherry Blossom Sakura Woodblock Print Framed Japan
Tokuriki Tomikichiro Mt. Fuji Cherry Blossom Sakura Woodblock Print Framed Japan

Tokuriki Tomikichiro Mt. Fuji Cherry Blossom Sakura Woodblock Print Framed Japan
Fuji Cherry Blossom Sakura Woodblock Print Framed Japan. About This Item s. Woodblock prints Stamp edition. This is a woodblock print (stamp edition) by Tokuriki Tomikichiro, a leading figure in Kyoto woodblock prints. Each print is hand-carved and hand-printed. Characterized by warm, soft lines and colors, woodblock prints blend naturally into Japanese-style rooms as well as Western-style rooms and modern spaces. They are perfect as home decor or as gifts for loved ones. The actual product will not include the company logo (Kyoto Tokuriki Print Museum) in the center of the image. The frame design and color may differ from the image depending on the time of arrival. We apologize for the inconvenience. We do not mark merchandise values below value or mark items as “gifts” – Japan, US and International government regulations prohibit such behavior. Now stop service. About Importer’s Obligation. Thank you for your understanding.
Tokuriki Tomikichiro Mt. Fuji Cherry Blossom Sakura Woodblock Print Framed Japan
Hokusai_Woodblock_Print_Hanging_Cloud_Bridge_Ashikaga_Adachi_Unframed_01_jlkl

Hokusai Woodblock Print Hanging Cloud Bridge Ashikaga Adachi Unframed

Hokusai Woodblock Print Hanging Cloud Bridge Ashikaga Adachi Unframed

Hokusai Woodblock Print Hanging Cloud Bridge Ashikaga Adachi Unframed
Hanging Cloud Bridge at Gyodo-zan, Ashikaga -Famous Bridges in Various Provinces. Print Size: 25.7 × 38.2 cm. Paper: Echizen Kizuki Hosho Washi made by Living National Treasure, Ichibei Iwano. Type of print: Woodcut Print. An explanation of the work in English and Japanese. A leaflet to introduce the production process of ukiyo-e print. Adachi’s Philosophy and Mission. At Adachi Institute of Woodcut Prints, we create attractive works that are in keeping with the times while maintaining the basics of traditional woodcut printing techniques. Why are prints from the “Adachi Institute of Woodcut Prints” (Adachi Hangasya) highly valued worldwide? The premium price of Adachi prints reflects their museum-grade quality, masterful craftsmanship, and investment value. Unlike mass-produced reproductions, each print is a masterpiece created through the following rigorous standards. Adachi is one of the very few institutions in Japan that preserves the authentic Edo-period lineage of carvers (Horishi) and printers (Surishi), training top-tier artisans entirely in-house. Flawless Historical Accuracy: They recreate historical pigments and woodblock techniques with absolute precision, matching the exact textures and vibrant colors of the original Edo-period masterpieces. Living National Treasure Paper. Every piece is printed on ultra-luxurious Echizen Kizuki Hosho-the finest handmade wagami (Japanese paper) crafted by a designated Living National Treasure. Global Brand & Investment Value. Adachi’s work is held in prestigious museums globally and sought after by international collectors. Their prints are recognized not just as decorative art, but as valuable cultural assets.
Hokusai Woodblock Print Hanging Cloud Bridge Ashikaga Adachi Unframed
True_View_of_Cherry_Blossoms_in_Full_Bloom_at_Kiyomizu_Hall_in_Ueno_Park_Tokyo_01_gf

True View of Cherry Blossoms in Full Bloom at Kiyomizu Hall in Ueno Park Tokyo

True View of Cherry Blossoms in Full Bloom at Kiyomizu Hall in Ueno Park Tokyo
True View of Cherry Blossoms in Full Bloom at Kiyomizu Hall in Ueno Park Tokyo
True View of Cherry Blossoms in Full Bloom at Kiyomizu Hall in Ueno Park Tokyo
True View of Cherry Blossoms in Full Bloom at Kiyomizu Hall in Ueno Park Tokyo
True View of Cherry Blossoms in Full Bloom at Kiyomizu Hall in Ueno Park Tokyo
True View of Cherry Blossoms in Full Bloom at Kiyomizu Hall in Ueno Park Tokyo
True View of Cherry Blossoms in Full Bloom at Kiyomizu Hall in Ueno Park Tokyo
True View of Cherry Blossoms in Full Bloom at Kiyomizu Hall in Ueno Park Tokyo
True View of Cherry Blossoms in Full Bloom at Kiyomizu Hall in Ueno Park Tokyo
True View of Cherry Blossoms in Full Bloom at Kiyomizu Hall in Ueno Park Tokyo
True View of Cherry Blossoms in Full Bloom at Kiyomizu Hall in Ueno Park Tokyo
True View of Cherry Blossoms in Full Bloom at Kiyomizu Hall in Ueno Park Tokyo
True View of Cherry Blossoms in Full Bloom at Kiyomizu Hall in Ueno Park Tokyo
True View of Cherry Blossoms in Full Bloom at Kiyomizu Hall in Ueno Park Tokyo
True View of Cherry Blossoms in Full Bloom at Kiyomizu Hall in Ueno Park Tokyo
True View of Cherry Blossoms in Full Bloom at Kiyomizu Hall in Ueno Park Tokyo
True View of Cherry Blossoms in Full Bloom at Kiyomizu Hall in Ueno Park Tokyo
True View of Cherry Blossoms in Full Bloom at Kiyomizu Hall in Ueno Park Tokyo
True View of Cherry Blossoms in Full Bloom at Kiyomizu Hall in Ueno Park Tokyo
True View of Cherry Blossoms in Full Bloom at Kiyomizu Hall in Ueno Park Tokyo
True View of Cherry Blossoms in Full Bloom at Kiyomizu Hall in Ueno Park Tokyo
True View of Cherry Blossoms in Full Bloom at Kiyomizu Hall in Ueno Park Tokyo
True View of Cherry Blossoms in Full Bloom at Kiyomizu Hall in Ueno Park Tokyo
True View of Cherry Blossoms in Full Bloom at Kiyomizu Hall in Ueno Park Tokyo

True View of Cherry Blossoms in Full Bloom at Kiyomizu Hall in Ueno Park Tokyo
This artwork is an original Japanese woodblock triptych print titled. True View of Cherry Blossoms in Full Bloom at Kiyomizu Hall in Ueno Park, Tokyo. Triptych (composed of three separate vertical panels designed to be viewed side-by-side). The print depicts Empress Meiji alongside her ladies-in-waiting and high-ranking court officials viewing blooming cherry trees next to the Kiyomizu-do (Kiyomizu Hall) temple complex in Ueno Park. (modernization/enlightenment) genre of the Meiji period. It highlights the juxtaposition of traditional attire alongside Western top hats, military uniforms, and umbrellas imported during Japan’s rapid modernization. The deep, intense pigments used-particularly the pinks and purples-were achieved using synthetic aniline chemical dyes newly imported from Germany. Based on the back side of your triptych, this piece provides valuable information regarding its physical condition, production process, and history. Key Observations from the Back Side. The panels have been. Re-backed with scrap paper and old manuscript pages. Containing cursive Japanese calligraphy. This was a common historical practice used to reinforce thin, fragile. Paper or to patch up tears and wormholes. You can clearly see the vibrant aniline reds, purples, and blues bleeding through the paper. This high degree of bleedthrough is a primary indicator of a. As the pressure of the bamboo rub-pad. Forces the wet ink deep into the fibers of the paper. Modern machine reproductions or lithographs typically do not show this kind of rich, reverse-image bleedthrough. There are visible vertical seams, overlapping patches, and minor edge fraying where the panels were previously joined or repaired. While backing paper successfully preserves the structural integrity of a print, it can sometimes obscure the original translucent quality of the. Paper and cover up publishers’ marks or dates hidden on the reverse. In the antique print market, historical backing is generally accepted, though a print that is completely unbacked and in pristine condition typically commands a premium. Otherwise, the product is non refundable. That’s why I ask potential buyers for a discussion about the condition and quality of the product. Warehouse of Treasure #3-17-7.
True View of Cherry Blossoms in Full Bloom at Kiyomizu Hall in Ueno Park Tokyo
Antique_Japanese_Toyokuni_III_Kunisada_Woodblock_Print_Women_Playing_Instruments_01_vl

Antique Japanese Toyokuni III Kunisada Woodblock Print Women Playing Instruments

Antique Japanese Toyokuni III Kunisada Woodblock Print Women Playing Instruments
Antique Japanese Toyokuni III Kunisada Woodblock Print Women Playing Instruments
Antique Japanese Toyokuni III Kunisada Woodblock Print Women Playing Instruments
Antique Japanese Toyokuni III Kunisada Woodblock Print Women Playing Instruments
Antique Japanese Toyokuni III Kunisada Woodblock Print Women Playing Instruments
Antique Japanese Toyokuni III Kunisada Woodblock Print Women Playing Instruments
Antique Japanese Toyokuni III Kunisada Woodblock Print Women Playing Instruments
Antique Japanese Toyokuni III Kunisada Woodblock Print Women Playing Instruments
Antique Japanese Toyokuni III Kunisada Woodblock Print Women Playing Instruments
Antique Japanese Toyokuni III Kunisada Woodblock Print Women Playing Instruments

Antique Japanese Toyokuni III Kunisada Woodblock Print Women Playing Instruments
This is a nice antique Japanese Toyokuni III / Kunisada I woodblock print depicting three women, with two playing musical instruments. In pretty nice shape as the pics show with some minor wear / foxing to the paper and it comes exactly as shown. I do believe it’s an original but I’m not positive. It came from a home where the owner’s father brought this and other woodblocks I have listed back during WW II era. The frame measures 10 3/4″ x 15 1/4″ and the sight is 9 1/4″ x 13 3/4″.
Antique Japanese Toyokuni III Kunisada Woodblock Print Women Playing Instruments
Apanese_Antique_Woodblock_Hanki_Mt_Asama_Kokuzo_Bosatsu_Uho_Doji_Rare_01_xy

Apanese Antique Woodblock Hanki Mt Asama Kokuzo Bosatsu Uho Doji Rare

Apanese Antique Woodblock Hanki Mt Asama Kokuzo Bosatsu Uho Doji Rare
Apanese Antique Woodblock Hanki Mt Asama Kokuzo Bosatsu Uho Doji Rare
Apanese Antique Woodblock Hanki Mt Asama Kokuzo Bosatsu Uho Doji Rare
Apanese Antique Woodblock Hanki Mt Asama Kokuzo Bosatsu Uho Doji Rare
Apanese Antique Woodblock Hanki Mt Asama Kokuzo Bosatsu Uho Doji Rare

Apanese Antique Woodblock Hanki Mt Asama Kokuzo Bosatsu Uho Doji Rare
Rare Antique Japanese Woodblock (Hanki) – Mt. Asama Kokuzo Bosatsu & Sacred Figures. Item Details: This is an authentic antique Japanese wooden printing block (Hanki) from Mt. At the top center of the woodblock, Kokuzo Bosatsu (- Space-Store Bodhisattva) is intricately carved. The lower sections feature fine carvings of Uho Doji and a personal guardian Buddha figure (Jibutsu /). Size 10.31in x 10.98in x 1.29in(26.2cm x 27.9cm x 3.3cm). Wooden printing blocks of this kind were held by temples and were never made available for public sale, making this a unique, extremely rare, and one-of-a-kind historical artifact for collectors. Note on condition: Antique wooden items naturally show signs of age and historical character. Please inspect the photos carefully for details.
Apanese Antique Woodblock Hanki Mt Asama Kokuzo Bosatsu Uho Doji Rare
Utatora_Utagawa_Kunitoshi_Woodblock_Print_Tokyo_Komagata_Azuma_Bridge_View_Meiji_01_smku

Utatora Utagawa Kunitoshi Woodblock Print Tokyo Komagata Azuma Bridge View Meiji

Utatora Utagawa Kunitoshi Woodblock Print Tokyo Komagata Azuma Bridge View Meiji
Utatora Utagawa Kunitoshi Woodblock Print Tokyo Komagata Azuma Bridge View Meiji
Utatora Utagawa Kunitoshi Woodblock Print Tokyo Komagata Azuma Bridge View Meiji
Utatora Utagawa Kunitoshi Woodblock Print Tokyo Komagata Azuma Bridge View Meiji
Utatora Utagawa Kunitoshi Woodblock Print Tokyo Komagata Azuma Bridge View Meiji
Utatora Utagawa Kunitoshi Woodblock Print Tokyo Komagata Azuma Bridge View Meiji
Utatora Utagawa Kunitoshi Woodblock Print Tokyo Komagata Azuma Bridge View Meiji
Utatora Utagawa Kunitoshi Woodblock Print Tokyo Komagata Azuma Bridge View Meiji
Utatora Utagawa Kunitoshi Woodblock Print Tokyo Komagata Azuma Bridge View Meiji
Utatora Utagawa Kunitoshi Woodblock Print Tokyo Komagata Azuma Bridge View Meiji
Utatora Utagawa Kunitoshi Woodblock Print Tokyo Komagata Azuma Bridge View Meiji
Utatora Utagawa Kunitoshi Woodblock Print Tokyo Komagata Azuma Bridge View Meiji

Utatora Utagawa Kunitoshi Woodblock Print Tokyo Komagata Azuma Bridge View Meiji
Utatora Utagawa Kunitoshi Woodblock Print Tokyo Komagata Azuma Bridge View Meiji. This Japanese woodblock print is a collaborative work by Utatora and Utagawa Kunitoshi from the series Tokyo Meisho Zue, titled “Komagata, Azuma Bridge, Distant View, ” and dated to Meiji 21. It is a Meiji-period view print showing a Tokyo landmark subject. Condition shows age-related wear, including paper staining, soiling, and tears. Please review the photos carefully for the overall condition and details. Thank you for visiting our store. Many of the hanging scrolls we sell are old and basically in poor condition. In addition, it is difficult to judge whether the author of the work or the hanging scroll is a handwriting or printing, and we will not compensate for this matter. International Buyers – Please Note. Doing so is against U. As a regular business enterprise, our goal is to create employment opportunities for people with disabilities through this business. We greatly appreciate your interest and support of our social enterprise.
Utatora Utagawa Kunitoshi Woodblock Print Tokyo Komagata Azuma Bridge View Meiji