VTG 1950s Koyo Omura Signed Woodblock Print Pagoda in Autumn Matted & Framed

VTG 1950s Koyo Omura Signed Woodblock Print Pagoda in Autumn Matted & Framed
VTG 1950s Koyo Omura Signed Woodblock Print Pagoda in Autumn Matted & Framed
VTG 1950s Koyo Omura Signed Woodblock Print Pagoda in Autumn Matted & Framed
VTG 1950s Koyo Omura Signed Woodblock Print Pagoda in Autumn Matted & Framed
VTG 1950s Koyo Omura Signed Woodblock Print Pagoda in Autumn Matted & Framed
VTG 1950s Koyo Omura Signed Woodblock Print Pagoda in Autumn Matted & Framed
VTG 1950s Koyo Omura Signed Woodblock Print Pagoda in Autumn Matted & Framed
VTG 1950s Koyo Omura Signed Woodblock Print Pagoda in Autumn Matted & Framed
VTG 1950s Koyo Omura Signed Woodblock Print Pagoda in Autumn Matted & Framed
VTG 1950s Koyo Omura Signed Woodblock Print Pagoda in Autumn Matted & Framed
VTG 1950s Koyo Omura Signed Woodblock Print Pagoda in Autumn Matted & Framed
VTG 1950s Koyo Omura Signed Woodblock Print Pagoda in Autumn Matted & Framed
VTG 1950s Koyo Omura Signed Woodblock Print Pagoda in Autumn Matted & Framed
VTG 1950s Koyo Omura Signed Woodblock Print Pagoda in Autumn Matted & Framed
VTG 1950s Koyo Omura Signed Woodblock Print Pagoda in Autumn Matted & Framed
VTG 1950s Koyo Omura Signed Woodblock Print Pagoda in Autumn Matted & Framed
VTG 1950s Koyo Omura Signed Woodblock Print Pagoda in Autumn Matted & Framed
VTG 1950s Koyo Omura Signed Woodblock Print Pagoda in Autumn Matted & Framed
VTG 1950s Koyo Omura Signed Woodblock Print Pagoda in Autumn Matted & Framed
VTG 1950s Koyo Omura Signed Woodblock Print Pagoda in Autumn Matted & Framed

VTG 1950s Koyo Omura Signed Woodblock Print Pagoda in Autumn Matted & Framed
Koyo Omura was born in Hiroshima. He graduated from Kyoto University City Specialist School of Painting under Takeuchi Seiho. He exhibited traditional Japanese paintings in Bunten and Teiten. His Prints were published by Kyoto Hanga-in. Frame = 16.5 x 21 inches. Mat Opening = 10.25 x 14.75 inches. Condition: Some fading has occurred. Slight discoloration is evident in matting. There is a speck of dust in the bottom center of the mat surround. There is a spot on the print in the sky to the right of the pagoda. There is an area of darker blue in the sky, top center (from the printing process). The frame is sturdy and clean with only light signs signs of age and wear.
VTG 1950s Koyo Omura Signed Woodblock Print Pagoda in Autumn Matted & Framed