36- Fuji from Lake Yamanaka. From the series ; Thirty-six Views of Mt. Like the classic shin hanga masters of the day, Tokuriki designed many woodcuts of landscapes and city views in the traditional manner. Yet he actively promoted sosaku-hanga (creative prints) in Kyoto, which emphasized the artists participation in the entire process of printmaking […]
17- Rain at the 4th Station, Yoshidaguchi. From the series ; Thirty-six Views of Mt. Like the classic shin hanga masters of the day, Tokuriki designed many woodcuts of landscapes and city views in the traditional manner. Yet he actively promoted sosaku-hanga (creative prints) in Kyoto, which emphasized the artists participation in the entire process […]
Reverse Fuji of Kawaguchi-ko Lake. From the series ; Thirty-six Views of Mt. Like the classic shin hanga masters of the day, Tokuriki designed many woodcuts of landscapes and city views in the traditional manner. Yet he actively promoted sosaku-hanga (creative prints) in Kyoto, which emphasized the artists participation in the entire process of printmaking […]
28 – Fijimi Bridge in Suruga. From the series ; Thirty-six Views of Mt. Like the classic shin hanga masters of the day, Tokuriki designed many woodcuts of landscapes and city views in the traditional manner. Yet he actively promoted sosaku-hanga (creative prints) in Kyoto, which emphasized the artists participation in the entire process of […]
17- Rain at the 4th Station, Yoshidaguchi. From the series ; Thirty-six Views of Mt. Like the classic shin hanga masters of the day, Tokuriki designed many woodcuts of landscapes and city views in the traditional manner. Yet he actively promoted sosaku-hanga (creative prints) in Kyoto, which emphasized the artists participation in the entire process […]
29- Viewing Hôeizan From the Front of the 4th Station. From the series ; Thirty-six Views of Mt. Like the classic shin hanga masters of the day, Tokuriki designed many woodcuts of landscapes and city views in the traditional manner. Yet he actively promoted sosaku-hanga (creative prints) in Kyoto, which emphasized the artists participation in […]
4 – The Sea at Izu. From the series ; Thirty-six Views of Mt. Like the classic shin hanga masters of the day, Tokuriki designed many woodcuts of landscapes and city views in the traditional manner. Yet he actively promoted sosaku-hanga (creative prints) in Kyoto, which emphasized the artists participation in the entire process of […]
24- Yoshida Asama Shrine. From the series ; Thirty-six Views of Mt. Like the classic shin hanga masters of the day, Tokuriki designed many woodcuts of landscapes and city views in the traditional manner. Yet he actively promoted sosaku-hanga (creative prints) in Kyoto, which emphasized the artists participation in the entire process of printmaking and […]
7- Fuji from Fujimi Tableland. From the series ; Thirty-six Views of Mt. Like the classic shin hanga masters of the day, Tokuriki designed many woodcuts of landscapes and city views in the traditional manner. Yet he actively promoted sosaku-hanga (creative prints) in Kyoto, which emphasized the artists participation in the entire process of printmaking […]
36- Fuji from Lake Yamanaka. From the series ; Thirty-six Views of Mt. Like the classic shin hanga masters of the day, Tokuriki designed many woodcuts of landscapes and city views in the traditional manner. Yet he actively promoted sosaku-hanga (creative prints) in Kyoto, which emphasized the artists participation in the entire process of printmaking […]