
Crescent Moon Behind Monkey Bridge, from the series Twenty-eight Moonlight Views. Period: Showa period, mid-20th century. Publisher: Rare reprint from the publisher Oedo Mokuhansha (Tokyo). Medium: Traditional Japanese woodblock print (ink and color on washi paper). 41 × 20 cm (16.14 × 7.87 inches). Condition: Slight peeling marks in the back margins, overall in good condition. Description: An authentic Japanese woodblock print of Crescent Moon Behind Monkey Bridge, from Utagawa Hiroshige’s celebrated series Twenty-eight Moonlight Views. The print portrays the famous Monkey Bridge (Saruhashi) spanning a deep mountain gorge beneath a tranquil night sky, where a slender crescent moon glows softly through drifting clouds. The dramatic silhouette of the bridge, combined with the gentle moonlight and the surrounding mountains, creates a scene of remarkable serenity and poetic beauty. Hiroshige masterfully captures the quiet elegance of the landscape, using subtle color gradations and atmospheric effects to evoke the timeless charm of a moonlit evening in Japan. This edition is hand-printed by Oedo Mokuhansha (Tokyo) on fine Japanese washi paper using the traditional Ukiyo-e woodblock printing method. Produced during the mid-20th century (Showa period), this rare reprint faithfully preserves the delicate colors, refined details, and craftsmanship of Hiroshige’s original design. Oedo Mokuhansha is renowned for producing high-quality hand-printed reproductions of classic Ukiyo-e, created by skilled artisans using traditional techniques. The visible pigment bleed-through on the reverse is a natural characteristic of authentic hand-printed Japanese woodblock prints. We sell only authentic traditional Japanese hand-printed woodblock prints, including later re-carved or later edition works. We do not handle modern machine-made prints, offset prints, or modern printed copies of any kind. All prints in our store are genuine te-zuri (hand-printed) woodblock prints, carefully hand-printed by skilled Japanese artisans using traditional Ukiyo-e techniques on authentic Japanese washi paper. The visible pigment bleed-through on the reverse side is a natural characteristic of hand printing and a clear sign that this is not a reproduction or machine-made print. Please refer to the photos for the item’s condition. We strive to photograph and describe the condition as accurately as possible. However, perceptions of condition may vary depending on individual standards.